History of the Royal Sappers and Miners, Volume 2 (of 2): From the Formation of the Corps in March 1712 to the date when its designation was changed to that of Royal EngineersConnolly, T. W. J. (Thomas William John)
History
History of the Royal Sappers and Miners, Volume 2 (of 2): From the Formation of the Corps in March 1712 to the date when its designation was changed to that of Royal Engineers
Connolly, T. W. J. (Thomas William John)
Great Britain. Army. Royal Sappers and Miners
Colour
Ser- Ser- Cor- 2nd Pri- General
geant. geants. porals. Corp. Bugl. vates. Total. Total.
22 general service companies, 1 5 6 6 2 100 120 = 2640
each
1 survey company 1 5 6 6 2 100 120 = 120
3 survey companies, each 1 7 8 8 2 99 125 = 375
3135
The band 1 1 1 33 33
——
Sergt. Q.-mast.- 2nd Artif-
Major. Sergt. Sergts. Corpls. Corpls. icers. Bugl. Drivers. Total.
Driver troop 1 1 4 6 6 9 2 100 129 = 129
Staff—Supernumerary sergeants with the rank of colour-sergeant 12
4 sergeant-majors; 4 quartermaster-sergeants; 1 bugle-major, and 2 11
staff-sergeants
1 assistant adjutant-general; 2 adjutants to corps, 1 adjutant of field 8
equipment, and 4 quartermasters
——
General Total 3328
This establishment was far greater than had been allowed even during the
oppressive years of the Peninsular war, and the number of companies,
long in its teens, had swept on by successive augmentations to 27—one
being a driver troop.
Without any increase of pay from state sources, the band is supported by
an annual subscription from the officers of engineers managed by a
committee, of which the assistant adjutant-general is president. Though
never recognised, a brass band had been in existence for many years, but
when the new order of things was sanctioned, a reed band was established
as more in keeping with the refinements of a distinguished corps. The
accomplished features of an operatic orchestra were also introduced
combined with the sacred musical accessories of the church; and the bald
services of a garrison chapel which, until the arrival of the
head-quarters at Chatham, was conducted without singing, has recently
been varied and made additionally grateful by the use of chants,
glorias, psalms, &c.[134]
Public-domain text, read in full here on John Shaqi.
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