Falsehood was the great basis of the king's character, which perhaps derives its chief importance, as a political and psychological study, from this very fact. It has been shown throughout the whole course of this history, by the evidence of his most secret correspondence, that he was false, most of all, to those to whom he gave what he called his heart. Granvelle, Alva, Don John, Alexander Farnese, all those, in short, who were deepest in his confidence experienced in succession his entire perfidy, while each in turn was sacrificed to his master's sleepless suspicion. The pope himself was often as much the dupe of the Catholic monarch's faithlessness as the vilest heretic had ever been. Could the great schoolmaster of iniquity for the sovereigns and politicians of the south have lived to witness the practice of the monarch who had most laid to heart the precepts of the "Prince," he would have felt that he had not written in vain, and that his great paragon of successful falsehood, Ferdinand of Arragon, had been surpassed by the great grandson. For the ideal perfection of perfidy, foreshadowed by the philosopher who died in the year of Philip's birth, was thoroughly embodied at last by this potentate. Certainly Nicholas Macchiavelli could have hoped for no more docile pupil. That all men are vile, that they are liars; scoundrels, poltroons, and idiots alike--ever ready to deceive and yet easily to be duped, and that he only is fit to be king who excels his kind in the arts of deception; by this great maxim of the Florentine, Philip was ever guided. And those well-known texts of hypocrisy, strewn by the same hand, had surely not fallen on stony ground when received into Philip's royal soul. "Often it is necessary, in order to maintain power, to act contrary to faith, contrary to charity, contrary to humanity, contrary to religion . . . . . . A prince ought therefore to have great care that from his mouth nothing should ever come that is not filled with those five qualities, and that to see and hear him he should appear all piety, all faith, all integrity, all humanity, all religion. And nothing is more necessary than to seem to have this last-mentioned quality. Every one sees what you seem, few perceive what you are." Surely this hand-book of cant had been Philip's 'vade mecum' through his life's pilgrimage.