History of the War in Afghanistan, Vol. 1 (of 3): Third EditionKaye, John William, Sir
History
History of the War in Afghanistan, Vol. 1 (of 3): Third Edition
Kaye, John William, Sir
Afghan Wars
In the gorgeous tent of the Governor-General, the ladies of Lord
Auckland’s family, and of the principal military and political
officers, were seated, ready to receive his Highness. The customary
formalities were gone through, and civilities interchanged; and then
the Maharajah was conducted into an inner chamber, where the presents
intended for his reception were laid out in costly and curious array.
Here, a picture of Queen Victoria, from the easel of Miss Eden, whose
felicitous pencil has rendered the European eye familiar with the
persons of many of the principal Sikh chieftains who graced the
Ferozepore gathering, was presented to Runjeet Singh. Sir Willoughby
Cotton bore it, with becoming reverence, into the tent, and as he
presented it to the Maharajah, who bowed before it, the guns of the
camel battery roared forth a royal salute. Then Runjeet was escorted
to another tent, where specimens of British ordnance, caparisoned
elephants, and horses of noble figure, stood ready for his Highness’s
acceptance. All these were inspected with due expressions of admiration
and a becoming interchange of courtesies; and then, amidst an uproar of
hurras, a crash of military music, and another scene of indescribable
confusion, Runjeet Singh ascended his elephant and turned his back upon
the British camp.[274]
On the following day, Lord Auckland returned the visit of Runjeet
Singh. It was said by one present on this occasion, that the Sikhs
“shone down the English.”[275] The camp of the Maharajah was on
the other side of the river; and there, amidst a scene of Oriental
splendour, difficult to describe or imagine, the great Sikh chieftain
received the representative of the British nation. The splendid
costumes of the Sikh Sirdars—the gorgeous trappings of their horses—the
glittering steel casques and corslets of chain armour—the scarlet and
yellow dresses—the tents of crimson and gold—made up a show of Eastern
magnificence equally grand and picturesque. As the Maharajah saluted
the Governor-General, the familiar notes of the national anthem arose
from the instruments of a Sikh band, and the guns of the Khalsa poured
forth their noisy welcome. In the splendid Durbar tent of the ruler of
the Punjab, the British Statesman and British General, after the due
formalities had been observed and some conversation had been carried
on through the medium of interpreters, were regaled with an unseemly
display of dancing girls, and the antics of some male buffoons. The
evening entertainments were still less decorous. It was a melancholy
thing to see the open exhibition, even on this great public occasion,
of all those low vices which were destroying the life, and damning the
reputation, of one in whom were some of the elements of heroism—who,
indeed, but for these degrading sensualities, would have been really
one of the greatest, as he was one of the most remarkable, men of
modern times.
Public-domain text, read in full here on John Shaqi.
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