daughter's interest; for, believe me, she is in greater danger than the nation.”--“Just now,” said he, “you chid me for thinking on her, and would ha' her left to you.”--“And if you will promise to interpose no more,” answered she, “I will, out of my regard to my niece, undertake the charge.”--“Well, do then,” said the squire, “for you know I always agreed, that women are the properest to manage women.” [*] The reader may, perhaps, subdue his own patience, if he searches for this in Milton.] Mrs Western then departed, muttering something with an air of disdain, concerning women and management of the nation. She immediately repaired to Sophia's apartment, who was now, after a day's confinement, released again from her captivity. BOOK VII. CONTAINING THREE DAYS. Chapter i. A comparison between the world and the stage. The world hath been often compared to the theatre; and many grave writers, as well as the poets, have considered human life as a great drama, resembling, in almost every particular, those scenical representations which Thespis is first reported to have invented, and which have been since received with so much approbation and delight in all polite countries. This thought hath been carried so far, and is become so general, that some words proper to the theatre, and which were at first metaphorically applied to the world, are now indiscriminately and literally spoken of both; thus stage and scene are by common use grown as familiar to us, when we speak of life in general, as when we confine ourselves to dramatic performances: and when transactions behind the curtain are mentioned, St James's is more likely to occur to our thoughts than Drury-lane. It may seem easy enough to account for all this, by reflecting that the theatrical stage is nothing more than a representation, or, as Aristotle calls it, an imitation of what really exists; and hence, perhaps, we might fairly pay a very high compliment to those who by their writings or actions have been so capable of imitating life, as to have their pictures in a manner confounded with, or mistaken for, the originals. But, in reality, we are not so fond of paying compliments to these people, whom we use as children frequently do the instruments of their amusement; and have much more pleasure in hissing and buffeting them, than in admiring their excellence. There are many other reasons which have induced us to see this analogy between the world and the stage. Some have considered the larger part of mankind in the light of actors, as personating characters no more their own, and to which in fact they have no better title, than the player hath to be in earnest thought the king or emperor whom he represents. Thus the hypocrite may be said to be a player; and indeed the Greeks called them both by one and the same name. The brevity of life hath likewise given occasion to this comparison. So the immortal Shakespear--