From attention to business and propriety of conduct, the industrious apprentice has gained the confidence of his employer. He is now in the counting-house, entrusted with the management of the business; has the day-book, purse, and keys in his hands, and attentively listens to the directions of his friendly master, who, with a face expressive of the highest partiality and regard, familiarly leans upon his shoulder. A partnership, on the eve of taking place, is covertly intimated by a pair of gloves upon the writing-desk. The young merchant's sedulous application is well hinted at by an headpiece to the _London Almanac_, "Industry taking time by the forelock." A city porter, bringing in bales of goods, has a true Bardolphian face. The mastiff that attends him is violently opposed by the domestic cat, who, considering this house as her own peculiar domain, and having an hereditary dislike to the canine species, endeavours to drive him from the premises. Neither cat, dog, nor porter are well drawn, nor is much regard paid to perspective; but the general design is carried on by such easy and natural gradations, and the consequent success of an attentive conduct displayed in colours so plain and perspicuous, that little errors in execution should be overlooked or forgiven. PLATE V. THE IDLE 'PRENTICE TURNED AWAY AND SENT TO SEA. "A foolish son is the heaviness of his mother."--PROVERBS X. 1. [Illustration: INDUSTRY AND IDLENESS, PLATE V.] Corrupted by sloth, and contaminated by bad company, the idle apprentice, having forfeited the regard and tired the patience of his master, is sent to sea, in the hope that a separation from his associates, joined to the inevitable hardships of a maritime life, may in some degree reclaim him. He is exhibited in the ship's boat, accompanied by his afflicted mother, whose dress intimates that she is a widow, and who had naturally formed hopes of this boy's being a comfort to her old age. The waterman, with a significant face, points to a figure on a gibbet, advising him to look at it as emblematical of his future fate. A boy shows him a cat-o'-nine tails as a specimen of the discipline on board a ship; this _water-wit_ the abandoned young man returns by holding up two fingers in the form of horns, and recommending this Joe Miller of the Thames to look at Cuckold's Point, which is in the distance. Having forfeited his indentures, he has thrown them into the river, is totally lost to reflection, and insensible to the grief of his mother, the ridicule of his companions, or his own unhappy situation. That great geographer of the human face, Lavater of Zurich, has very properly thought a copy of this print worthy a place in his _Essays on Physiognomy_. His observations deserve attention:--