Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)
Ireland, John
Hogarth, William, 1697-1764
[12] Among the papers of a lately deceased Virtuosi, I met with
a few MS. sheets, entitled _Hints for a History of the Arts in
Great Britain, from the Accession of the Third George_. The
following extract proves that painting pictures, _called after_
the ancient masters, was not confined to Italy: we had in England
some industrious and laborious artists who, like the unfortunate
Chatterton, gave the honours of their best performances to others.
The narrative has no date, but some allusions to a late sovereign
determine it was a short time before we discovered that there were in
our own poets subjects as worthy of the pencil as any found in the
idle tales of antiquity, or the still more idle legends of popery:--
"The late edict of the Emperor, for selling the pictures of which he
has despoiled the convents, will be a very fortunate circumstance
for many of the artists of this country, whose sole employment is
_painting old pictures_; and this will be a glorious opportunity for
introducing _modern antiques_ into the cabinets of the curious.
"A most indefatigable dealer, apprehensive that there might be
a difficulty, and enormous expense in procuring from abroad a
sufficient quantity to gratify the eagerness of the English
connoisseurs, has taken the more economical method of having a number
painted here. The bill of one of his workmen, which came into my
hands by an accident, I think worth preservation, and have taken a
copy for the information of future ages. Every picture is at present
most sacredly preserved from the public eye, but in the course of
a few months will be smoked into antiquity, and may probably be
announced in manner and form following:--
"TO THE LOVERS OF VIRTU.
"Mr. ---- has the heartfelt pleasure of congratulating the amateurs
of the fine arts upon such an opportunity of enriching their
collections, as no period from the days of the divine Apelles to the
present irradiated era ever produced; nor is it probable that there
ever will be in any future age so splendid, superb, brilliant, and
matchless an assemblage of unrivalled pictures as he begs leave to
announce to the connoisseurs are now exhibiting at his great room
in ----, being the principal part of that _magnificent bouquet_
which have been accumulating for so many ages, been preserved with
religious care, and contemplated with pious awe, while they had an
holy refuge in the peaceful gloom of the convents of Germany. By the
edict of the Emperor they are banished from these consecrated walls,
and are now emerged from obscurity with undiminished lustre! with
all their native charms, mellowed by the tender, softening pencil of
time, and introduced to this emporium of taste! this favourite seat
of the arts! this exhibition-room of the universe; and when seen,
must produce the most pleasing and delightful sensations.
Public-domain text, read in full here on John Shaqi.
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