Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)
Ireland, John
Hogarth, William, 1697-1764
[80] This post, and that close to the feet of the strutting Cambrian,
shows that these safeguards to the pedestrian were then thought
necessary: on new-paving the streets soon after his present Majesty's
accession, they were removed. During the short time of Lord Bute's
administration, an English gentleman who reprobated the idea of
making a Scotch pavement in the vicinity of St. James's, being asked
by a North Briton who was present how he or any other Englishman
could reasonably object to even Scotchmen mending their ways in the
neighbourhood of a palace? replied, "We do not object to your mending
our ways, but you have taken away all our _posts_."
[81] This is probably a true delineation of the church as it was
then. The print was published in 1735, and the year 1741 the church
was rebuilt. It seems likely that Marybone, from a neighbouring
village, may become the centre of the city: the alteration since the
Revolution, 1688, justifies this supposition. In that year the annual
amount of the taxes for the whole parish was four-and-twenty pounds;
in 1788 the annual amount was four-and-twenty thousand.
[82] From the antiquated bride, and young female adjusting the
folds of her gown, is taken a French print of a wrinkled harridan
of fashion at her toilet, attended by a blooming _Coiffeuse_. It
was engraved by L. Surugue, in 1745, from a picture in crayons
by Coypell, and is entitled, _La Folie pare la Decrepitude des
Ajustemens de la Jeunesse_. From the Frenchman, however, the
Devonshire Square dowager of our artist has received so high a
polish, that she might be mistaken for a queen-mother of France.
[83] "Trump," Mr. Hogarth's favourite dog, which he has introduced in
several of his prints.
[84] This probably gave the hint to a lady's reply, on being told
that thieves had the preceding night broken into the church, and
stolen the communion plate, and the Ten Commandments. "I can
suppose," added the informant, "that they may melt, and sell the
plate; but can you divine for what possible purpose they could steal
the Commandments?"--"To _break_ them, to be sure," replied she; "to
_break_ them."
[85] This is a correct copy of the inscription. Part of these lines,
in raised letters, now form a pannel in the wainscot at the end of
the right-hand gallery, as the church is entered from the street. No
heir of the Forset family appearing, the vault has been claimed and
used by his Grace the Duke of Portland, as lord of the manor. The
mural monument of the Taylors, composed of lead gilt over, is still
preserved: it is seen in Hogarth's print, just under the window. The
bishop of the diocese, when the new church was built, gave orders
that all the ancient tablets should be placed as nearly as possible
in their former situations.
Public-domain text, read in full here on John Shaqi.
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