Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)
Ireland, John
Hogarth, William, 1697-1764
"Thee from his box the macaroni eyes;
With levell'd tube he takes his distant stand,
Trembling beholds the horrid storm arise,
And feels for reinhold when you raise your hand;
At distance he enjoys the boisterous scene,
And thanks his God the pit is plac'd between.
"So, 'midst the starry honours of the night,
The sage explores a comet's fiery course;
Fearful he views its wild eccentric flight,
And shudders at its overwhelming force:
At distance safe he marks the glaring ray,
Thankful his world is not within its way.
"Proceed then, Catley, in thy great career,
And nightly let our maidens hear and see,
The sweetest voice disgust the listening ear,
The sweetest form assume deformity:
Thus shalt thou arm them with their best defence,
And teach them modesty by impudence."
[154] The late Lord Orrery was a singularly formal character. Sir
Anthony Branville, in _The Discovery_, was intended for his portrait,
and exhibits a strong likeness. It was sometimes the wish of Mr.
Garrick to play upon the suavity of this old nobleman, and induce him
to contradict himself. This power he exerted very successfully on the
following occasion:--Lord Orrery wrote a letter from Ireland to Mr.
Garrick, requesting that Mossop might be engaged. The request of a
man of rank was, to the manager of Drury Lane, a command, and Mossop
was engaged. When, some months afterwards, the peer came to England,
he took an early opportunity of breakfasting with Mr. Garrick: the
moment he entered the room, he began his favourite subject.
_Orrery._ "David, I congratulate you: I inquire not about the success
of your theatre; with yourself and Mossop, it must be triumphant. The
Percy and the Douglas both in arms, have a right to be confident.
Separate, you were two bright luminaries; united, you are a
constellation--the _Gemini_ of the theatric hemisphere. Excepting
yourself, my dear David, no man that ever trod on tragic ground has
so forcibly exhibited the various passions that agitate, and I may
say agonize, the human mind. He makes that broad stroke at the heart
which, being aimed by the hand of nature, reaches the prince or the
peasant, the peer or the plebeian. He is not the mere player of
fashion; for the player of fashion, David, may be compared to a man
tossed in a blanket: the very instant his supporters quit their hold
of the coverlet, down drops the hero of the day. However, as general
assertions do not carry conviction, I will arrange my opinions under
different heads, not doubting your assent to my declarations, which
shall be founded on facts, and built upon experience. First of the
first,--his voice; his voice is the _vox argentea_ of the ancients,
the silver tone, of which so much has been written, but which never
struck upon a modern ear till Mossop spoke,--'then mute attention
reigned.'"
Public-domain text, read in full here on John Shaqi.
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