With respect to the drawing of the figures in this curious female coterie, Hogarth evidently intended several of them for beauties; and of vulgar, uneducated, prostituted beauty, he had a good idea. The hero of our tale displays all that careless jollity which copious draughts of maddening wine are calculated to inspire; he laughs the world away, and bids it pass. The poor dupe without his periwig, in the background, forms a good contrast of character: he is maudlin drunk, and sadly sick. To keep up the spirit of unity throughout the society, and not leave the poor African girl entirely neglected, she is making signs to her friend the porter, who perceives, and slightly returns, her love-inspiring glance. This print is rather crowded,--the subject demanded it should be so; some of the figures thrown into shade might have helped the general effect, but would have injured the characteristic expression. PLATE IV. "O vanity of youthful blood, So by misuse to poison good! Reason awakes, and views unbarr'd The sacred gates he wish'd to guard; Approaching, see the harpy Law, And Poverty, with icy paw, Ready to seize the poor remains That vice has left of all his gains. Cold penitence, lame after-thought, With fear, despair, and horror fraught, Call back his guilty pleasures dead, Whom he hath wrong'd, and whom betray'd." [Illustration: THE RAKE'S PROGRESS, PLATE IV.] The career of dissipation is here stopped. Dressed in the first style of the _ton_, and getting out of a sedan chair, with the hope of shining in the circle, and perhaps forwarding a former application for a place or a pension, he is arrested! To intimate that being plundered is the certain consequence of such an event, and to show how closely one misfortune treads upon the heels of another, a boy is at the same moment picking his pocket. The unfortunate girl whom he basely deserted is now a milliner, and naturally enough attends in the crowd to mark the fashions of the day. Seeing his distress, with all the eager tenderness of unabated love, she flies to his relief. Possessed of a small sum of money, the hard earnings of unremitted industry, she generously offers her purse for the liberation of her worthless favourite. This releases the captive beau, and displays a strong instance of female affection, which, being once planted in the bosom, is rarely eradicated by the coldest neglect or harshest cruelty. The high-born, haughty Welshman, with an enormous leek, and a countenance keen and lofty as his native mountains, establishes the chronology, and fixes the day to be the first of March; which, being sacred to the titular saint of Wales, was observed at court.[78]