The background exhibits a view of St James's Palace, and White's Chocolate House, then the rendezvous of the first gamesters in London. At this fountainhead of dissipation the artist has aimed a flash of lightning; and to show the contagion of example, and how much this ruinous vice prevails even in the lowest ranks of society, he has in one corner of the print represented an assembly composed of shoe-blacks, chimney-sweepers, etc.,[79] who, aping the vices of their superiors, are engaged at cards, dice, cups and balls, and pricking in the belt. To intimate how eagerly these minor gamblers enter into the spirit of what they are engaged in, one of them is naked, and having staked and lost his clothes, is now throwing for his stock in trade, a basket, brushes, and blacking. The little smutty smoking politician is reading the _Farthing Post_; his attention is exquisitely marked; his whole soul is engaged; and, regardless of the confusion which reigns around, he contemplates "The fate of empires, and the fall of kings." A chimney-sweeper peeping at the postboy's cards, and informing his adversary that he has two honours, by holding up two fingers, is a fine stroke of humour; as the inscription _Black's_, being on a post[80] close to where this congress of the _privileged orders_ are assembled, is an excellent antithesis when contrasted to _White's_, on the opposite side. The grouping is good, the perspective agreeable, and the expression admirable. The trembling terror of the beau, agitated to the very soul, is well contrasted by the hard unfeeling insolence of two bailiffs; and that, again, opposed by the tender solicitude of the poor girl. The gunpowder mark of a star on the side of the naked shoe-black, who is putting his last stake on the hazard of a die, is another well-pointed piece of satire on the conduct of those high-born gamesters, who at the opposite house, with a dignified disregard for the future fate of themselves or their families, put their last acre on the same issue. The boy with a pipe and little pewter measure and glass by his side, shows that smoking and drinking drams was not peculiar to adults, but sometimes practised by young gentlemen before their attainment of what the law calls years of discretion. PLATE V. "New to the school of hard mishap, Driven from the ease of fortune's lap, What schemes will nature not embrace T' avoid less shame of drear distress? Gold can the charms of youth bestow, And mask deformity with show: Gold can avert the sting of shame, In Winter's arms create a flame: Can couple youth with hoary age, And make antipathies engage." [Illustration: THE RAKE'S PROGRESS, PLATE V.]