Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)
Ireland, John
Hogarth, William, 1697-1764
The show-cloth underneath, with the tall figure and two spectators,
is a representation of Maximilian, a giant from Upper Saxony. That
with the wooden horse is explained by the inscription above it, "The
Siege of Troy is here." Mr. Victor, in an eulogium upon Boheme the
actor, says that "his first appearance was at a booth in Southwark
Fair, which in those days lasted two weeks, and was much frequented
by persons of all ranks and both sexes. He acted the part of
Menelaus, in the best droll I ever saw, called _The Siege of Troy_."
The Adam and Eve upon another show-cloth may probably allude to the
representation of somewhat compiled from an old mystery called _The
Creation_.[110]
The old puppet-show joke of Punch wheeling his wife into the jaws
of destruction, which is underneath, is well known. By the paper
lantern, dwarf drummer, and little figure at a temporary door, it
appears that the royal waxwork and whole Court of France are at the
Royal Oak.
It is a little remarkable, that in this almost endless variety of
holiday amusements there should be no exhibition of wild beasts[111]
or wonderful quadrupeds. A roaring lion, raging tiger, and fierce cat
a-mountain, would have had a large audience; and a learned pig or an
overgrown Lincolnshire ox might have made the proprietors' fortunes
at that time, as they have done at this.
The amusements of the fair at this period continued a fortnight,[112]
and were unquestionably attended with much loss of time, and
productive of some habits of dissipation among the lower ranks
of people who attended them. A visit to a family in the vicinity
must have been a delightful entertainment, and the pleasure much
heightened if the lady of the mansion happened to be fond of dumb
creatures. A whistle, drum, and trumpet, in the possession of three
little masters, with a barking lap-dog, screaming parrot, and canary
bird in full song, must form a concert of such heavenly harmony, as
"Would bring an angel down!"
For those who delight in pointing out examples of Hogarth's bad
spelling, this print affords a fine field. The name of Cibber is
spelt with only one _b_. In the _Fall of Bajazet_, the _z_ appears to
have been originally an _s_. "We'l starve them out." The _e_ final in
waxworke, these syllable dissectors may perhaps deign to acknowledge
was then customary.
In my enumeration of some of the actors who appear on the show-cloth,
etc., I may sometimes be wrong: let it be received as conjecture
founded on the best information I could obtain; and let it be
remembered, that to procure positive information of circumstances
which happened near fifty years ago is not easy. The memoranda to
be found in magazines, and other perishable prints of the day, are
not always to be depended upon. Even now these authentic documents
sometimes lead those who implicitly believe them into error.[113]
[Illustration: (end of chapter floral icon)]
A MIDNIGHT MODERN CONVERSATION.
Public-domain text, read in full here on John Shaqi.
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