Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)
Ireland, John
Hogarth, William, 1697-1764
"Keen blows the blast, and eager is the air;
With flakes of feather'd snow the ground is spread;
To step, with mincing pace, to early prayer,
Our clay-cold vestal leaves her downy bed.
* * * * *
And here the reeling sons of Riot see,
After a night of senseless revelry.
* * * * *
Poor,--trembling,--old,--her suit the beggar plies;
But _frozen chastity_ the little boon denies."--E.
[Illustration: MORNING.]
This withered representative of Miss Bridget Alworthy, with a
shivering footboy carrying her prayer-book, never fails in her
attendance at morning service. She is a symbol of the season,
"Chaste as the icicle
That's curdled by the frost from purest snow,
And hangs on Dian's temple,"
she looks with scowling eye, and all the conscious pride of severe
and stubborn virginity, on the poor girls who are suffering the
embraces of two drunken beaux that are just staggered out of Tom
King's Coffeehouse. One of them, from the basket on her arm, I
conjecture to be an orange girl: she shows no displeasure at the
boisterous salute of her Hibernian lover. That the hero in a laced
hat is from the banks of the Shannon, is apparent in his countenance.
The female whose face is partly concealed, and whose neck has a more
easy turn than we always see in the works of this artist, is not
formed of the most inflexible materials.
An old woman, seated upon a basket; the girl, warming her hands by a
few withered sticks that are blazing on the ground; and a wretched
mendicant,[131] wrapped in a tattered and party-coloured blanket,
entreating charity from the rosy-fingered vestal who is going to
church, complete the group. Behind them, at the door of Tom King's
Coffeehouse, are a party engaged in a fray likely to create business
for both surgeon and magistrate; we discover swords and cudgels in
the combatants' hands.
On the opposite side of the print are two little schoolboys. That
they have shining morning faces we cannot positively assert, but each
has a satchel at his back, and, according with the description given
by the poet of nature, is
"Creeping like snail unwillingly to school."
Public-domain text, read in full here on John Shaqi.
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