Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)
Ireland, John
Hogarth, William, 1697-1764
It is not easy to imagine fatigue better delineated than in
the appearance of this amiable pair. In a few of the earliest
impressions, Mr. Hogarth printed the hands of the man in blue, to
show that he was a dyer, and the face and neck of the woman in red,
to intimate her extreme heat.[140] The lady's aspect lets us at once
into her character; we are certain that she was born to command. As
to her husband, "God made him, and he must pass for a man;" what
his wife has made him is indicated by the cow's horns, which are so
placed as to become his own. The hope of the family, with a cockade
in his hat, and riding upon papa's cane, seems much dissatisfied with
female sway. A face with more of the shrew in embryo than that of the
girl, it is scarcely possible to conceive. Upon such a character, the
most casual observer pronounces with the decision of a Lavater.
Nothing can be better imagined than the group in the alehouse. They
have taken a refreshing walk into the country, and, being determined
to have a cooling pipe, seat themselves in a chair-lumbered closet
with a low ceiling; where every man pulling off his wig, and throwing
a pocket-handkerchief over his head, inhales the fume of hot punch,
the smoke of half a dozen pipes, and the dust from the road. If this
is not rural felicity, what is? The old gentleman in a black bag-wig,
and the two women near him, sensibly enough, take their seats in the
open air.
From a woman milking a cow, we conjecture the hour to be about five
in the afternoon; and from the same circumstance, I am inclined to
think this agreeable party are going to their pastoral bower rather
than returning from it.
The cow and dog appear as much inconvenienced by heat as any of the
party: the former is whisking off the flies; and the latter creeps
unwillingly along, and casts a longing look at the crystal river in
which he sees his own shadow. A remarkably hot summer is intimated
by the luxuriant state of a vine creeping over an alehouse window.
On the side of the New River, where the scene is laid, lies one of
the wooden pipes employed in the waterworks. Opposite Sadler's Wells
there still remains a sign[141] of Sir Hugh Middleton's head, which
is here represented.
This print is engraved by Baron, but some touches of Mr. Hogarth's
_burin_ are visible on the faces.
Dr. Johnson, I think it is, who observes, that an ardent pursuit of
pleasure generally defeats its own purpose; for when we have wasted
days and nights, and exhausted our strength in the chase, it eludes
our grasp, and vanishes from our view.
NIGHT.
"Now burst the blazing bonfires on the sight,
Through the wide air their coruscations play;
The windows beam with artificial light,
And all the region emulates the day.
"The moping mason, from yon tavern led,
In mystic words doth to the moon complain
That unsound port distracts his aching head,
And o'er the waiter waves his clouded cane."--E.
Public-domain text, read in full here on John Shaqi.
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