A short time previous to the publication of this print, our dramatic writers thought proper to dip their pens in the sea of politics. To check this growing evil, it has been said that the minister contrived to have a very indecent performance (fabricated for the express purpose of showing the enormities of writers for the theatre) presented to one of the managers. It was brought from the manager to the minister, shown to a number of persons in power, and made a pretence for bringing in a Bill to prohibit the performance of any play or interlude until it had been perused and received the sanction of the Lord Chamberlain for the time being. By the friends of the ministers of that day this account has been contradicted. They assert that a piece called the _Golden Rump_, containing much personal abuse of George II. and Queen Caroline, was on the point of being acted at the theatre in the Haymarket. Sir Robert Walpole having notice of it, procured a copy, in consequence of which the performance was stopped, and the Act passed. It was introduced as intended to explain, amend, and enforce so much of an Act made in the twelfth year of the reign of Queen Anne as related to rogues, vagabonds, and common players of interludes. Lord Chesterfield, in a very long speech, reprobated the principle upon which it was founded, and exerted all his eloquence to prevent its passing into a law. This oration gave a temporary popularity to the speaker, but did not serve the cause for which it was made. The Bill passed; but the people were so irritated that the power which it gave the Lord Chamberlain should be exerted in favour of foreigners, that in the year 1738, when some French actors, authorized by his licence, attempted to perform a French play at the Haymarket, a mob in the street broke the windows, and attempted to pull down the house, though many persons of high rank, and the French ambassador, were in the boxes. The print to which this little account is introductory, receives a title from its female performers only; and yet in this theatrical house of _commons_ we discover at least four representatives of the other sex, viz. Apollo, Cupid, and two male devils. [Illustration: (end of chapter floral icon)] STROLLING ACTRESSES DRESSING IN A BARN. "Since Thespis, mighty father of the art, Declaim'd, and rav'd, and ranted in a cart, His wandering offspring, to their parent true, Have kept their great original in view: Patents they scorn, as modern innovation, And here have humbly made a barn their station: A barn!--in which though time has made a breach, They cleave the general air with horrid speech.