Here are priests of all persuasions--Brahmins, friars, drones, monks, and monkeys not a few. A figure of Time with his scythe, eagerly pressing towards the altar with rams' heads, is arrested in his course by a sort of slaughterman, with a mask, shaven crown, and short apron, who violently grasps his wing with one hand, and with the other lifts up a hatchet, which with fatal force he aims at his head. For sanctuary, this feeble figure lays hold of one of the horns of the altar, but is frustrated in his attempt to reach the steps by a bishop, who, with his sacrificing knife, coolly stabs him to the heart; while a monkey, in the habit of a chorister, holds a basin to catch the blood, the fumes from which he snuffs up with ineffable delight. This I apprehend to be a metaphorical view of a prelate _killing Time_ at a masquerade. Next to this group is a Mother Shipton, hooking on the arms of a clown; and near them a harlequin endeavouring to draw the attention of a graceful columbine from a turban'd Turk, who attempts to seduce her from her party-coloured gallant. A female, with the mask of a monkey's head, salutes a nun in a black veil; and while an old Capuchin, with the face of an ape, whispers soft things to a young girl, a fellow somewhat like Tiddy-doll draws up her head-dress to a point, like a fool's cap. A man in the right-hand corner, solicitous to give a glass of wine to one of the sisterhood, lifts up her veil for the purpose of her drinking it.[120] ADDENDA. ADDENDA. AN EMBLEMATIC PRINT ON THE SOUTH SEA. [Illustration: THE SOUTH SEA BUBBLE.] The two prints here given are selected as two of the earliest avowed productions of Hogarth. The allegory in both is somewhat obscure; but the figures are in the manner of Callot, and in a spirited and masterly style. They were both published in 1721, and are a proof that at this early period the admirable vein of satire which he possessed was directed against the vices and follies of the age. In the first of them we see (to use an expression of Mr. Walpole) "the Devil cutting Fortune into collops," to gratify the avaricious hopes of the adventurers in the South Sea Bubble; and persons ascending the ladder to ride upon wooden horses; alluding to the desperate game which was played by the South Sea Directors in England in the year 1720, to the utter destruction of many opulent families. The little figure with his hand in the pocket of a fat personage was supposed by Mr. Steevens to have been intended for Pope, who profited by the South Sea scheme; and the fat man to be meant for Gay, who was a loser in that iniquitous project. Mr. John Law, a native of Edinburgh, was the projector of this bubble; and was also author of the famous Mississippi scheme in France, by which he ruined thousands. To escape popular vengeance he fled to Venice, where he died in poverty in 1729. THE LOTTERY. [Illustration: THE LOTTERY.]