Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)
Ireland, John
Hogarth, William, 1697-1764
In the first of these plates is a portrait inscribed, "Mr. Samuel
Butler, born 1612, Author of Hudibras, died 1680." The basso-relievo
of the pedestal represents Butler's Genius in a car, lashing round
Mount Parnassus, in the persons of Hudibras and Ralpho, Rebellion,
Hypocrisy, and Ignorance, the reigning vices and follies of the time.
In the scene of the Committee (Plate IX.), one of the members has his
gloves on his head. "I am told," says Mr. Steevens, "this whimsical
custom once prevailed among our sanctified fraternity; but it is in
vain, I suppose, to ask the reason why." This doubt, however, has
since produced from a respectable divine an intimation that he has
frequently heard his father, who died some years ago at an advanced
age, notice the custom of placing the gloves on the head at church as
not uncommon in cold weather.
In the earliest impressions of Plate XI., the words "Down with the
Rumps" are not inserted on the scroll.
JUST VIEW OF THE BRITISH STAGE.
[Illustration: JUST VIEW OF THE BRITISH STAGE.]
Mr. Walpole, in his _Catalogue_, thus describes this plate: "Booth,
Wilkes, and Cibber, contriving a Pantomime; a Satire on Farces."
Though the inscription engraved under it is sufficiently explanatory,
it may be added that Mr. Devoto was scene-painter either to Drury
Lane or Lincoln's-Inn Fields, and also to Goodman's Fields Theatre;
that the ropes mentioned in the inscription are no other than
halters, suspended over the heads of the three managers; and that
the labels issuing from their respective mouths convey the following
characteristic words. The airy Wilkes, who dangles the effigies of
Punch, exclaims, "Poor R--ch! faith, I _pitty_ him." The Laureate
Cibber, who is amusing himself with playing with harlequin, invokes
the muse painted on the ceiling: "Assist, ye sacred Nine!" And the
solemn Booth, letting down the figure of Jack Hall into the _forica_,
is most tragically exclaiming, with an oath, "Ha! this will do." At
the same instant Ben Jonson's ghost is rising through the stage,
and insulting a pantomime statue fallen from its base. Over the
figure of Hall is suspended a parcel of waste paper, consisting of
leaves torn from _The Way of the World_, _Hamlet_, _Macbeth_, and
_Julius Cæsar_. A fiddler is seen hanging by a cord in the air, and
performing, with a scroll before him, which proclaims, "Music for
the What" [meaning perhaps the "What d'ye call it"] entertainment.
A pamphlet on the table exhibits a print of Jack Sheppard in
confinement. A dragon is also preparing to fly; a dog thrusts his
head out of the kennel; a flask acquires motion by machinery, etc.
The countenances of Tragedy and Comedy, on each side of the stage,
are concealed by the bills for _Harlequin Dr. Faustus_, _Harlequin
Shepherd_, _etc._
_Vivetur ingenio_ is the motto over the curtain.
EXAMINATION OF BAMBRIDGE.
[Illustration: BAMBRIDGE ON TRIAL FOR MURDER.]
Public-domain text, read in full here on John Shaqi.
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