Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)
Ireland, John
Hogarth, William, 1697-1764
In the year 1763 Hogarth erased his own head from the plate, and in
its place inserted "The Bruiser, C. Churchill (once the Rev^d.!), in
the character of a Russian Hercules, regaling himself after having
killed the monster Caricatura, that so sorely galled his _virtuous_
friend the heaven-born Wilkes."
_First state_--Three of the upper knots on the club are left white
(white lies), and a line inscribed "the line of Beauty," drawn on
the palette. _Second state_--The knots shaded, and a political print
introduced on the palette.
_Third state_--The letters "N. B.," and the word "Infamous"
inscribed on the club; and "Dragon of Wantley" added at the end of
"I warrant ye." "Price 1s. 6d." instead of "1s."
In the year 1758 Hogarth published a full-length of his own portrait,
painting the Comic Muse; inscribed "W. Hogarth, serjeant painter to
his Majesty,"--"Engraved by W. Hogarth." This being a mistake of the
writing engraver, the painter altered it to "the face engraved by
W. Hogarth." _Third impression_--"The face engraved by W. Hogarth"
omitted. _Fourth state_--"Serjeant painter," etc. scratched over with
the graver. _Present state_--The face retouched. Comedy also has
the face and mask marked with black; and on the pillar is written,
"Comedy, 1764." No other inscription beneath the print but "W.
Hogarth, 1764."
The original small whole-length picture from which it is copied was
sold by Greenwood after Mrs. Hogarth's death. The companion portrait
of Mrs. Hogarth is in the possession of Mrs. Lewis of Chiswick.
A portrait of Hogarth was in 1781 engraved in mezzotinto by Charles
Townley from a picture painted by Weltdon, and finished by Hogarth,
now in the possession of James Townley, Esq. A portrait, copied from
that in the Gate of Calais, I have seen prefixed to a dull pamphlet,
published in 1781, entitled _A Dissertation on Mr. Hogarth's six
Prints lately published, viz. Gin Lane, Beer Street, and the Four
Stages of Cruelty_. I have a small engraving of his head, I believe
done for the _Universal Magazine_, in which he looks like a village
schoolmaster. An etching of his head by S. Ireland was prefixed to
a catalogue of Hogarth's works, sold by Christie, in May 1797. Two
small portraits have been engraved for watch-papers. A head in the
dotted style has been engraved for Mr. Jeffrey, Pall Mall, but is not
published.
1750.
The March to Finchley; engraved by Luke Sullivan. Dedicated to the
King of Prusia: thus was the word spelt in the prints delivered to
the subscribers. A few early impressions were dated 30th December
1750; but the 30th being that year on a Sunday, it was altered to the
31st. A print in the collection of Dr. Ford is inscribed "Printed and
published by W^m. Hogarth," instead of " Printed for W^m. Hogarth,
and published," etc. In the etching, of which very few were struck
off, the woman to whom an officer presents a letter on the point of
a pike, turns her head the contrary way to what she does in the print.
Public-domain text, read in full here on John Shaqi.
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