"Being thus driven out of the only profitable branch of my profession, I at first thought of attaching myself to history-painting; but in this there was no employment, for in forty years I had only two orders of any consequence for historical pictures. This was rather mortifying; and being, by the profits of my former productions and the office of serjeant painter, tolerably easy in my circumstances, and thoroughly sick of the idle quackery of criticism, I determined to quit the pencil for the graver. In this humble walk I had one advantage; the perpetual fluctuations in the manners of the times enabled me to introduce new characters, which being drawn from the passing day, had a chance of more originality and less insipidity than those which are repeated again, and again, and again from old stories. Added to this, the prints which I had previously engraved were now become a voluminous work, and circulated not only through England, but over Europe. These being secured to me by an Act which I had previously got passed, were a kind of an estate; and as they wore, I could repair and re-touch them, so that in some particulars they became better than when first engraved.[72] "While I was making arrangements to confine myself entirely to my graver, an amiable nobleman (Lord Charlemont) requested that, before I bade a final adieu to the pencil, I would paint him one picture; the subject to be my own choice, and the reward--whatever I demanded. The story I pitched upon was a young and virtuous married lady, who, by playing at cards with an officer, loses her money, watch, and jewels; the moment when he offers them back in return for her honour, and she is wavering at his suit, was my point of time.[73] "The picture was highly approved of, and the payment was noble; but the manner in which it was made, by a note enclosed in one of the following letters, was to me infinitely more gratifying than treble the sum:-- _From Lord Charlemont to Mr. Hogarth._ "MOUNT STREET, _19th Aug. 1759_.