3: I am deeply indebted to the personal kindness and trouble of Sir Martin Gosselin, K.C.M.G., British Minister at the Court of Portugal, for greatly facilitating my own study of this interesting picture. 4: I am indebted to the personal kindness of the discoverer's son, Herr Direktor Zetter-Collin of the Solothurn Museum, for these details. But the whole story, as well as Herr Zetter-Collin's contributions to the history of the work, should be read in his own absorbingly interesting monograph:--"_Die Zetter'sche Madonna von Solothurn. (...) Ihre Geschichte, etc._" 1902. 5: _"Die Liebe zu Gott Heist charite. Wer Liebe hat der Tragt kein Hass."_ A CATALOGUE OF THE PRINCIPAL EXISTING WORKS OF HANS HOLBEIN THE YOUNGER ARRANGED, SO FAR AS CAN BE KNOWN, IN CHRONOLOGICAL SEQUENCE ** signifies--_Superlative qualities._ * signifies--_Of some particular importance._ ? signifies--_Authorities differ._ Held by some (and by the writer) to have been, in its original condition, the work of Holbein's own hand. I. EARLIEST INDIVIDUAL WORKS (BEFORE GOING TO BASEL) ? St. Elizabeth of Hungary and St. Barbara. Oils. (Wings of the St. Sebastian altar-piece.) Munich Gallery. Virgin and Child. Oils. Basel Museum. (Earliest signed work known. Dated 1514.) II. FIRST BASEL PERIOD (1515, 1516, 1519-1526) Illustrations to Erasmus's _Praise of Folly_. Eighty-two pen-and-ink sketches on the margins. Original copy, Basel Museum. Portrait of an unknown young man. Oils. Grand-Ducal Museum, Darmstadt. Jacob Meyer _zum Hasen_ and his second wife, Dorothea Kannegiesser. [Plates 4 and 5.] Oils. Basel Museum. Bonifacius Amerbach. [Plate 6.] Oils. Basel Museum. Portrait of himself. [Frontispiece.] Coloured Chalks. Basel Museum. * Studies from Nature. (A bat outspread and a lamb.) Drawings in water-colour and silver-point. Basel Museum. Designs for armorial windows. (More especially those with _Landsknechte_ and one with three peasants gossiping.) Washed Drawings. Basel Museum and Print Cabinet, Berlin. _Landsknechte_ in a hand-to-hand fight. [Plate 7.] Washed Drawing. Basel Museum. Others in various collections. Design for the wings of an organ-case. Washed Drawings. Basel Museum. Head of St. John the Evangelist. Oils. Basel Museum. The Last Supper. (On wood; ruined fragment.) Oils. Basel Museum. The Nativity [Plate 8.] and The Adoration. Oils. Freiburg Cathedral. (Wings of a lost altar-piece.) Holy Family. Washed Drawing. Basel Museum. (Also other drawings of the Virgin and Child.) The Passion. Eight-panelled altar-piece. [Plate 9.] Oils. Basel Museum. (Utterly ruined by over-painting.) * The Passion. A series of ten designs for glass-painting. Washed Drawings. Basel Museum. (A set of seven reversed impressions in the British Museum.)