Christian fiction; Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
"A perplexity that ends so pleasantly deserves thanks rather than
pardon," returned Bergan.
And having answered Mrs. Lyte's cordial greeting, and congratulated her
upon the event which had brought such unaccustomed radiance into her
face, Bergan turned, with a pardonable curiosity--or it might more
fitly be termed, an inevitable interest,--to glance around the room in
which he found himself. Never before had he happened to enter that
middle ground between the airiest ideal and the earthliest real, which
is occupied by a sculptor's studio.
VI.
OF CLAY.
Bergan's first glance around the studio was necessarily a comprehensive
one, dealing with general effect, rather than minute detail. A large
(though not a lofty) room; a bare floor; walls crowded with designs and
studies; four or five busts and statues standing around the sides, and
the life-size figure of a child in the middle, of the room;--this was
what that first glance revealed to him.
Cathie gave him no time for a second. "Look at the dear little boy,
Mr. Arling; do look at him!" she exclaimed, joining her hands over her
head, and executing a rapturous _pas seul_ around the object of her
delight. "See his cunning little whip, and his funny little feet, and
isn't he a little white darling!"
Thus besought, Bergan turned his attention to the statue in the midst.
At first sight, it seemed to represent merely a pretty and playful
human child, with a toy-whip in his hand, his head half-turned over one
shoulder, and an arch and roguish expression, as if bent on some errand
of mischief. But, while Bergan continued to gaze, fascinated, the
small physiognomy seemed to grow wily and malign, as well as arch; and
an intelligence, far more swift and subtle than ever infant of mortal
race was gifted withal, informed the tiny features. The light feet,
too, were plainly moved by deliberate purpose of guile, rather than
childish impulse; and on their soles, broad sinuate leaves were bound,
either for protection or disguise.
Bergan looked at the figure long and earnestly, enjoying its delicate
freshness and piquancy, but trying in vain to fathom its meaning.
"What will-o'-the-wisp is it?" he finally asked. "And what is he
doing, with his soft cunning and smiling malice?"
"He is a god," replied Astra. "As to his errand, it is the laudable
one of cattle-stealing."
"It seems to be a case of very early depravity," said Bergan, smiling,
yet puzzled.
"Early enough to be termed 'original sin,'" returned Astra. "For
'The babe was born at the first peep of day * *
And the same evening did he steal away
Apollo's herds.'--
Did you ever read Homer's 'Hymn to Mercury?'"
"Never. Indeed, I am not quite sure that I ever heard of it," replied
Bergan. "Is it usually counted among his works?"
Public-domain text, read in full here on John Shaqi.
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