Christian fiction; Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
"N--o," faltered the witness, with symptoms of growing uneasiness.
"Then," said Bergan, with very distinct and deliberate emphasis, "if,
as you say, you never have seen this room, nor heard it minutely
described, how is it that you have been able to make so accurate a
representation of it as this which I hold in my hand?"
There was a breathless silence, while Bergan held up a small, but
distinct, pencil sketch to the view of the pale and trembling witness.
"This sketch," continued Bergan, after waiting a few moments for the
answer that did not come, "as I can vouch, and as many of these
witnesses can testify, is an exact representation of the room in
question, as it would appear from the head of the bedstead;--the very
spot in which, it will be remembered, the prosecution has assumed that
the murderer must have been concealed; and where, doubtless, he
remained long enough to fix all the details of this sketch in his
memory. Here is the peculiar double window, facing the east, and
wreathed round with vines, which is so marked a feature of the room,
yet which there has been no need to mention, during this trial, except
in the most casual way; and here, on the right, are the round table and
large armchair, where Mr. Varley wrote, and, on the left, an
old-fashioned chest of drawers, with a plaster cast of Shakespeare on
top;--all in their proper places, just as I saw them when I visited the
room, after undertaking the defence of this case. How is it, I ask
again," he went on, turning to the witness, "how is it that you could
make this sketch, if you never saw the room?"
"Who says he made it?" demanded the opposing counsel, sharply.
"I say it," calmly replied Bergan. "I saw him draw it, not half an
hour ago, on a piece of the same paper that you are using for your
notes, as you can satisfy yourself, if you choose to compare them.
Besides," he added, looking keenly at the witness, "Mr. Varley will not
deny that he made it."
No, plainly he would not, for he was physically incapable of speech.
He was shivering as with an ague fit, his knees knocked together, his
lips trembled convulsively, but no articulate sound came forth. In
another moment, he fell forward heavily on the rail that divided the
witness-stand from the lawyers' table.
"Carry him out! Give him air!" cried a dozen voices; "he has fainted."
"Yes, carry him out," said Bergan gravely, and not without a touch of
compassion in his voice; "since he is not on trial, we have no further
need of him. But let me recommend that he be not lost sight of, till
this present trial is over."
And it was over very quickly. The influence of the scene just
witnessed was not to be ignored nor overcome. Prosecution and defence
were alike glad to waste no time on the road to a foregone conclusion.
The summing up, on both sides, was brief almost beyond precedent, the
judge's charge was correspondingly so, and the jury returned a verdict
of "Not Guilty," without leaving their seats.
Public-domain text, read in full here on John Shaqi.
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