Christian fiction; Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
For the invalid did not rally. After one week of apparent pause, her
life's lapse went steadily on. Day by day, she weakened and wasted;
day by day, the spirit loosened its mortal garments, and made itself
ready to put on immortality; day by day, her mind let go something of
earthly cares, anxieties, wishes, and fears, and fixed itself more
firmly upon the Rock of Ages, and the rest that remaineth. Nothing of
life seemed left, by and by, but love; making manifest, by this true
"survival of the fittest," its Divine origin and destiny.
One summer afternoon, when the sun was flooding all the earth and sky
with the glory of his departure, Bergan knocked at the door of Astra's
studio, according to his daily habit, to inquire if he could be of any
service. No answer being returned to his knock, he let himself in and
went softly to the bedroom door. A scene too beautiful to be called
sad, though infinitely solemn, met his view.
Astra was seated on the bed, holding her mother in her arms, to afford
her a grateful change of position. Cathie lay curled up at the
invalid's feet, with her large eyes fixed on the rapt, hushed
face,--the half-closed eyes and slightly parted lips of which suggested
a soft sinking into that sweet slumber, which is yet not so much
slumber as a happy dream. Diva knelt by the bedside, with her aunt's
hand in hers, singing in tones that thrilled him through and through,
much as he had learned in these days, of the marvellous beauty and
pathos of her voice;--
"When I rise to worlds unknown,
And behold Thee on Thy Throne,
Rock of Ages, cleft for me,
Let me hide myself in Thee!"
As the last note died away, he stepped forward and lifted the
unconscious form from Astra's arms. She looked up at him wonderingly.
"The earthly hymn was very sweet," said he gently, "but the song of the
redeemed in Paradise is sweeter still."
Still she seemed not to understand. What words were at once tender and
solemn enough for the full explanation? None but those of inspiration;
at once old and fresh; having poured their balm all along down through
the centuries, yet falling on each newly bereaved heart, as if still
moist and cool with the dew of their birth. Reverently he quoted:--
"'Blessed are the dead which die in the Lord from henceforth: Yea,
saith the Spirit, that they may rest from their labors; and their works
do follow them.'"
Public-domain text, read in full here on John Shaqi.
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