He possessed the rare merit among the painters of his school in that he took no pleasure in painting ugliness and trivial subjects. In the gallery at the Hague home-life is represented by Dou, by Adriaen van Ostade, by Steen, and by Van Mieris the elder. Van Ostade--called the Rembrandt of home-life, because he imitated the great master in his powerful effects of chiaroscuro, of delicate shading, of transparency in shadows, of rich coloring--is represented by two small pictures which depict the inside and outside of a rustic house. Both are full of poetry, notwithstanding the triviality of the subjects which he has chosen in common with other painters of his school. But he has this peculiarity, that the remarkably ugly girls in his pictures are taken from his own family, which, according to tradition, was a group of little monstrosities, whom he held up to the ridicule of the world. Thus nearly all the Dutch painters chose to paint the least handsome of the women whom they saw, as if they had agreed to throw discredit on the feminine type of their country. Rembrandt's "Susanna," to cite a subject which of all others required beauty, is an ugly Dutch servant, and the women painted by Steen, Brouwer, and others are not worth mentioning. And yet, as we have seen, models of noble and gracious beauty were not wanting among them. There are three fine paintings by Frans van Mieris the elder, the first disciple of Dou, and as finished and minute a painter as his master. He together with Metsu and Terburg, two artists eminent for finish and coloring, belonged to that group of painters of home-life who chose their subjects from the higher classes of society. One of these canvases portrays the artist with his wife. Among other paintings, Steen is represented by his favorite subject, a doctor feeling the pulse of a lovesick girl in the presence of her duenna. It is an admirable study of expression, of piquant, roguish smiles. The doctor's face seems to say, "I think I understand;" the invalid's, "Something more than your prescriptions are needed;" the duenna's, "I know what she wants." Other pictures of home-life by Schaleken, Tilborch, Netscher, William van Mieris represent kitchens, shops, dinners, and the families of the artists. Landscape and marine painting are represented by beautiful gems from the hands of Ruysdael, Berghem, Van de Velde, Van der Neer, Bakhuisen, and Everdingen. There are also a large number of works by Philips Wouverman, the painter of horses and battle-pieces.