Bildungsromans; Christian fiction; London (England) -- Fiction
As to Sefton, what better thing could he do for him, than make her think
less of herself! or, if that were impossible, at least make her
understand that other people did not think so much of her as she had
been willingly led to believe! In wronging her he had wronged his friend
as well, throwing obstacles in the way of his reception! He had wronged
the truth itself!
When the play was over, and the crowd was dispersing, he found himself
close to them on the pavement as they waited for their carriage. So near
to Lufa was he that he could not help touching her dress. But what a
change had passed on him! Not once did he wish her to look round and
brighten when she saw him! Sefton, moved perhaps by that unknown power
of presence, operating in bodily proximity but savoring of the
spiritual, looked suddenly round and saw him. He smiled and did not
speak, but, stretching out a quiet hand, sought his. Walter grasped it
as if it was come to lift him from some evil doom. Neither spoke, and
Lufa did not know that hands had clasped in the swaying human flood. No
physical influence passed between Walter and her.
Having made up his mind on the way, he set to work as soon as he reached
home. He wrote and destroyed and rewrote, erased and substituted, until,
as near as he could, he had said what he intended, so at least as it
should not be mistaken for what he did not intend, which is the main
problem in writing. Then he copied all out fair and plain, so that she
could read it easily--and here is his letter, word for word:
“MY DEAR LADY LUFA,--In part by means of the severe lesson I received
through you, a great change has passed upon me. I am no longer able to
think of myself as the important person I used to take myself for. It is
startling to have one’s eyes opened to see one’s self as one is, but it
very soon begins to make one glad, and the gladness, I find, goes on
growing. One’s nature is so elevated by being delivered from the
honoring and valuing of that which is neither honorable nor valuable,
that the seeming loss is annihilated by the essential gain; the being
better makes up--infinitely makes up for showing to myself worse. I
would millions of times rather know myself a fool than imagine myself a
great poet. For to know one’s self a fool is to begin to be wise; and I
would be loyal among the sane, not royal among lunatics. Who would be
the highest, in virtue of the largest mistake, of the profoundest
self-idolatry!
“But it was not to tell you this I began to write; it was to confess a
great wrong which once I did you; for I can not rest, I can not make it
up with my conscience until I have told you the truth. It may be you
will dislike me more for confessing the wrong than for committing it--I
can not tell; but it is my part to let you know it--and none the less my
part that I must therein confess myself more weak and foolish than
already I appear.
Public-domain text, read in full here on John Shaqi.
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