with one hand and fight for her life with the other."
He paused. "Well, I don't feel just like picking out that time to stop
coming to France to get her designs and to do my part to keep up the
taste for them, at home."
I found no sufficiently admiring comment to make on this, and kept a
respectful silence.
He went on, rubbing his hand back and forth over his gray hair: "But all
that is only my guess at it. What's my guess worth? Nothing. But it's
all I've got to go by, and so I _do_ go by it. I don't _know_ anything
about anything but hats, and I can't but just make a guess at them."
He folded his hands before him and sighed. "There is a lot too much in
hats for any one man to understand."
A HONEYMOON ... VIVE L'AMERIQUE!
I never knew many of the mere facts of their existence; where all their
money came from, nor the extraordinary romance which must have lain back
of them. Nor did I care to. They were too epic a pair for realism to
touch. I find on thinking them over that I never quite came to believe
in their actual existence; and yet, whatever value this slight sketch of
them may have will be due to its literal truthfulness to fact.
My first sight of them was on a very cold day in the second year of the
war when they suddenly filled with their resplendent presence the dreary
room which was known as my "office." For several difficult months,
against all the obstacles which made up everyday life in war-time
France, I had been laboring to organize and get into shape a Braille
printing establishment which would provide books for those most tragic
of war-victims, the blind. Together with a crew of devoted volunteers I
had tugged at the task, struggling like everybody else in France with a
universal shortage of supplies, which began with able-bodied men and ran
down to tacks and cheesecloth. There was also the difficulty of getting
the "Authorization from the Government" before drawing your breath; but
unless you have experienced this potent brake on enterprise, there is no
use trying to describe it to you.
And yet, somehow, we had managed to get along, had added to our two
plaque-making machines a couple of presses (very poor, both of them),
had scrambled together a home-made device for wetting and drying the
paper, had hunted down enough men to run the machines, had trained
enough proof-readers and assembled enough voluntary editors, so that
after a fashion we were really printing. The magazine, liberally bedewed
with our blood and sweat, came out once a month; and although the two
presses broke down with great frequency, we managed, by dint of
incessant repairing, to keep at least one in shape to do tolerable work.
We really had something patched-up, ungainly, but reasonably valid to
show the sightseers who came through on the weekly visiting day, when
all the rest of the institution was open to visitors.
Public-domain text, read in full here on John Shaqi.
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