Home Influence: A Tale for Mothers and DaughtersAguilar, Grace
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Home Influence: A Tale for Mothers and Daughters
Aguilar, Grace
Domestic fiction; Mothers and daughters -- Fiction
"If you think so Mrs. Greville, you will agree with my friend Morton,
who has just been half poetizing half philosophizing on this scene,"
said Mr. Hamilton joining them, with the young clergyman leaning on his
arm. "He says there is something singularly interesting in watching the
countenances and movements of children, and in tracing the dawnings of
respective characters."
"You are not one of those, then, who think childhood a mere negative
species of existence," rejoined Mrs. Greville.
"Indeed I do not; there is much more pleasure to me in watching such a
scene, than a similar one of adults. It is full of that kind of poetry,
which, from the beauty and freshness of the present, creates a future of
happiness or sorrow, good or evil, as something in each countenance
seems dimly to foretell. How many will be the longing thoughts thrown
back in after years upon to-night!"
"Do you think then childhood the happiest season of life?"
He answered in the affirmative, but Mr. Hamilton shook his head.
"I differ from you, my good friend," he said. "Childhood feels its
griefs as bitterly as those of maturer years. We are apt to think it was
all joy in the retrospect, perhaps because it has not the anxiety and
cares of riper years, but sorrow itself is felt as keenly. From reason
not being perfectly formed, the difficulty to control self-will, to
acquiesce in the, to them, incomprehensible wishes of parents or
guardians, the restraint they are often compelled to use, must be all
trials even to well-regulated children, and to those subject to the
caprices of weakness, indolence, neglect, indulgence at one time, and
tyranny at another, feelings disbelieved in, and therefore never studied
or soothed--the little heart thrown back upon itself--Morton, believe
me, these are trials as full of suffering, and as hard to be endured, as
those which belong to manhood."
"You may be right," replied Morton; "but do you not think there is an
elasticity in childhood which flings off sorrow, and can realize
happiness sooner than older years?"
"Undoubtedly, and most happy it is that they are so constituted, else
what would become of them if their susceptibilities for either joy or
sorrow are equally quick. If the former did not balance the latter, how
would their tender frames and quick affections bear their burden? The
idea that childhood is in itself the happiest season in life is so far
mischievous, that it prevents the necessary care and watchfulness, which
alone can make it so. But we must not philosophize any more, for it has
made us all grave. I see my wife is addressing Miss Grahame, and I think
it is for music. Come, Morton, take Mrs. Greville to the music-room, and
woo melody instead of poetry for the next half hour. Miss Grahame
promises to be a very fair musician, so you will be charmed."
Public-domain text, read in full here on John Shaqi.
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