Home Influence: A Tale for Mothers and DaughtersAguilar, Grace
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Home Influence: A Tale for Mothers and Daughters
Aguilar, Grace
Domestic fiction; Mothers and daughters -- Fiction
She raised her head directly, shook back the fair ringlets that had
fallen over her face, and though the tears were still on her cheeks and
filling her eyes, she said, with a blending of childish shyness and yet
courageous truth, impossible to be described--
"No, ma'am, I am not too tired to play--I did not cry from fatigue,
but because I was angry with mamma for not letting me dance any
more, and angry with myself for answering her so pettishly; and
because--because--I thought she was displeased, and that I deserved it."
"Then come and redeem your character," was Mrs. Hamilton's only notice
of a reply that actually made her heart throb with thankfulness, that
her lessons of truth were so fully understood and practiced by one
naturally so gentle and timid as her Emmeline: while Mrs. Allan knew not
what to answer, from a feeling of involuntary respect. It would have
been so easy to escape a disagreeable task by tacitly allowing that she
was too tired to play; and what careful training must it have been to
have so taught truth.
"Mrs. Allan would not ask you before, because she knew you did not like
to play while the room was so very full; therefore, ought you not to do
your very best to oblige her?"
Emmeline looked timidly up in her mother's face to be quite sure that
her displeasure had subsided, as her words seemed to denote; and quite
satisfied, her tears were all checked, and taking Mrs. Allan's offered
hand, she went directly to the music-room.
Mrs. Hamilton lingered to desire Herbert (who had come up to know the
cause of his sister's sudden tears) to form the last quadrille, and
reserve a place, if he possibly could, for Emmeline, as they would not
begin till she had done. Her little girl was playing as she rejoined
her, and it really was a pretty picture, her fairy figure with her tiny
harp, and her sweet face seeming to express the real feeling with which
she played. There was no execution in the simple Highland air, but her
vivid imagination lent it a meaning, and so, when fairly playing, she
did not mind it. Mrs. Allan had lost a little girl just at Emmeline's
age, who had also played the harp, and there was something in her caress
and thanks, after she had done, that made Emmeline stand quietly at her
side, without heeding the praises that were lavished round her. Herbert
at that moment appeared with one of the young Allans.
"Come, Emmy, we are only waiting for you; Mr. Allan says you have not
favored him to-night, and he hopes you will now."
"Pray, do," added Mrs. Allan, as her son gayly pleaded his own cause;
Emmeline only waited to read her mother's consent in her eyes, for she
thought that she ought not to dance any more; and in another minute the
joyous music had resounded, and she was dancing and chatting as gayly
and happily as if there had been no interruption to her joy.
Public-domain text, read in full here on John Shaqi.
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