It is impossible, or rather would not be agreeable, to force your way through the crowd surrounding the cages. But the people are interesting, and it is to see them that you have ventured here. You soon find, however, that it is not a venture at all. No one will offend you, no one is drunken or riotous. The gardens are packed with decent folk, mostly of the lower middle classes, and the only unseemly thing you see them do is to eat small hot sausages with their fingers in the open-air restaurants. Sunday is the great day of the week at German theatres. In all the large towns there are afternoon performances at popular prices, and this means that people who can pay a few pence for a seat can see all the great classical plays and most of the successful modern ones; and they can hear many of the great operas as well as a variety of charming light ones never heard in this country. On one Sunday afternoon in Berlin, Hoffmann's _Erzählungen_ was played at one theatre, and at others Gorky's _Nachtasyl_, Tolstoy's _Power of Darkness_, Hauptmann's _Versunkene Glocke_, the well known military play _Zapfenstreich_, and Lortzing's light opera _Der Waffenschmied_. The star players and singers do not usually appear at these popular performances, and the Wagnerian _Ring_ has, as far as I know, never yet been given. But on Sunday afternoons all through the winter the playhouses are crowded with people who cannot pay week-day prices, and yet are intelligent enough to enjoy a fairly good performance of _Hamlet_ or _Egmont_; who are musical and choose a Mozart opera; or who are interested in the problems of life presented by Ibsen, Gorky, Tolstoy, or their own great fellow-countryman Gerhardt Hauptmann. When summer comes, as long as the theatres are open the whole audience streams out between the acts to have coffee or beer in the garden, or when there is no garden, in the nearest restaurant; and then comes your chance of appraising the people who take their pleasure in this way. They look for the most part as if they belonged to the small official and shop-keeper class. If the play is a suitable one, there are sure to be a great many young people present, and at the State-supported theatres these Sunday performances are such as young people are allowed to see. In the evening the Sunday play or opera is always one of the most important of the week; the play everyone wishes to see or the opera that is most attractive. A Wagner opera is often played on a Sunday evening in the theatre that undertakes Wagner. The smaller stages will give some old favourite, _Der Freischütz_, _Don Juan_, _Oberon_, or _Die Zauberflöte_. In fact, all through the winter the upper and middle classes make the play and the opera their favourite Sunday pastime. The lower classes depend a good deal on the public dancing saloons, which seem to do as much harm as our public-houses, and to be disliked and discouraged by all sensible Germans.