On the appointed day a messenger, a trusted friend or servant of the
young man’s family, calls on the girl’s father and makes a formal
proposal, bringing at the same time a present of silk dresses, an
_obi_, fish, and _sake_; the father accepts the present and gives
a receipt for it. This acceptance constitutes the consent to the
marriage. He also makes a present to the other family. Soon after, he
invites his relatives and intimate friends to a dinner, at which he
announces the betrothal of his daughter. Preparations are then made
forthwith for the wedding; and when they are completed, another
gathering of relatives and friends with their wives takes place
and the dresses and other requisite articles for the marriage are
exhibited; and the meeting, especially the female section of it,
criticise and offer advice if necessary on these preparations.
Now all is complete; and an auspicious day has been fixed for the
wedding. The bride’s property is sent on to the bridegroom’s a day or
two previously. It consists of chests of drawers and several boxes
containing her dresses, bedding, toilet articles, various utensils
needed for tea-making and flower arrangement, a _koto_, and
work-boxes, and sometimes even kitchen utensils. In the evening she
leaves her father’s home. Formerly she went in a palanquin; but now
she is conveyed in a jinrikisha or carriage. She is accompanied by
friends and relatives. She is dressed in white or some other light
colour. In the country a bonfire is lighted at the door, and she is
escorted by torchlight; but in the city only lanterns are carried.
Public-domain text, read in full here on John Shaqi.
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