which may be literally translated: “May Our Lord’s reign last for a
thousand, eight thousand ages, until little stones become rocks and
are covered with moss.”
A celebrated minister of state who lived a thousand years ago,
composed the following:—
_Kokoro dani
Makoto no michi ni
Kanainaba
Inorazu totemo
Kami ya mamoran._
“If only our hearts follow the path of rectitude, the Gods will
protect us without our prayers.”
An Emperor saw one day in a private garden a plum-tree with a
bush-warbler’s nest in it. He took fancy to it and ordered it to be
transplanted to his palace-ground. The owner, who was a poetess and
court lady, obeyed as a matter of course, but to show her reluctance,
she hung to a branch of the tree a piece of paper with the following
ode:—
_Choku nareba
Itomo kashikoshi
Uguisu no
Yado wa to towaba
Ika ni kotaen._
“Since His Majesty commands, I obey with joy; but when the
bush-warbler comes and asks for his home, what answer shall I give?”
The Emperor, upon reading this ode, felt sorry that he had deprived
her of her favourite tree.
There are also other combinations; but all Japanese verses are
composed of pentasyllabic and heptasyllabic lines. What is known as
the long ode is a series of the two in alternation, closing with an
extra heptasyllable. Another verse is formed of a pair of sets, each
containing a pentasyllable and two heptasyllables; and still another
comprises four couplets of a heptasyllable and a pentasyllable each.
From these combinations has been evolved what is called poetry of the
new school, which is an indefinite series of five and seven syllables
in alternation. It is now very common; and almost all songs written to
the accompaniment of European music are in this form. In the following
children’s song which has for the last half dozen years been popular
in Tokyo, the English reader will recognise a very old friend:—
_Moshi moshi kame yo
kamesan yo
Sekai no uchi ni
omae hodo
Ayumi no noroi
mono wa nai
Dōshite sonna ni
noroi no ka
Nanto ossharu
usagisan
Sonnara omae to
kakekurabe
Mukō no oyama no
fumoto made
Dochira ga saki ni
kaketsuku ka
Donna ni kame ga
isoi demo
Dōse ban made
kakaru daro
Kokora de chotto
hito nemuri
Gū gū gū gū
gū gū gū
Kore wa nesugita
shikujitta
Pyon pyon pyon pyon
pyon pyon pyon
Anmari osoi
usagisan
Sakki no jiman wa
dōshitano;_
which may be rendered:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account