according to his own ideas, doing much of the work with his own hands;
and the result is something eminently characteristic of the man.
On the third story is the study, a kind of belvedere, with its sides and
roof composed of glass. In this study, which overlooked the little town
of St. Sampson and its picturesque promontory, the poet did his work.
Here he finished "Les Misérables," which had been begun in the Place
Royale; here was produced the magnificent essay on Shakspeare; and here
he worked almost literally from morning until night. The house became a
refuge for exiles from many lands, and a chamber, still known as
"Garibaldi's room," was fitted up expressly for that hero, under the
expectation that he would accept the invitation of Victor Hugo to share
his home, at a time when his fortunes were at their lowest ebb. Many
literary men were here at different times, generously cared for by the
host, who called the retreat "the raft of Medusa." There were many pets
also, especially dogs, as Victor Hugo almost shared the sentiment of
Madame de Staël concerning these animals, "The more I know men, the
better I love dogs."
The wonderful success of "Les Misérables," when it was published in
1862, called the attention of the whole world to the illustrious exile
on the sea-girt isle, and after that time he was overwhelmed with
visitors from all parts of the earth, anxious to see one who had come to
be looked upon as the greatest man of his time. The success of the book
was unprecedented, the sales were enormous, and the enthusiasm of
readers and critics almost without a parallel.
Madame Hugo died in 1868, and it was always a great grief to her husband
that she could not have lived to share his return to his native land,
which took place after the downfall of Louis Napoleon in 1870. After
nineteen years of exile, he returned to his country only to find it in
the hands of the Prussians first, and of the Commune afterward. One of
his companions on that eventful journey thus describes the feelings of
the returned exile:--
"Making good their retreat from Mézières, on their way to Paris,
the remnant of Vinoy's corps, poor, harassed creatures, covered
with dust and discolored with powder, pale with exertion and
discouragement, were lying all along the road. Close behind them
were the Uhlans. There was no alternative for them but flight, if
they would escape the disaster that had befallen the army at Sedan.
Defeat was written in their faces, demoralization was evident in
their attitude, they were dejected and dirty, they were like
pebbles driven along by a hurricane. But what of that? Anyhow, they
were soldiers of France; their uniform proclaimed their
nationality: they wore the blue tunic and the red trousers,--but
what was of infinitely more consequence, they were carrying their
colors back with them. Their defeat did not prevent them bringing
back the tri-color safe and sound.
Public-domain text, read in full here on John Shaqi.
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