It was during the years of which we have been speaking that George Sand
produced her most famous works. "Indiana" was followed by "Valentine,"
"Lelia," and "Lettres d'un Voyageur." Others followed in quick
succession, many of them dealing with the subject of marriage in such a
manner as to raise a most violent storm about her head. People who had
never read these books described them as being of revolting indecency;
and that impression prevails in many quarters even yet. In point of
fact, she is no more open to the charge of indelicacy than any prominent
English novelist of the day. The opinions are bad enough many times, but
the style is always pure and perfect. This is the answer she herself
made to her critics:--
"I was astounded when a few Saint Simonians, conscientious and
sincere philanthropists, estimable and sincere seekers of truth,
asked me what I would put in the place of husbands. I answered them
naïvely that it was marriage; in the same way as in the place of
priests who have so much compromised religion, I believe it is
religion which ought to be put. . . . That _love_ which I erect and
crown over the ruins of the infamous, is my Utopia, my dream, my
poetry. That love is grand, noble, beautiful, voluntary, eternal;
but that love is marriage such as Jesus made it, such as Saint Paul
explained it. This I ask of society as an innovation, as an
institution lost in the night of ages, which it would be opportune
to revive, to draw from the dust of æons, and the shrine of habits,
if it wishes to see real conjugal fidelity, real repose, and the
real sanctity of the family, replace the species of shameful
contract and stupid despotism bred by the infamous decrepitude of
the world."
It must always be remembered that she wrote of French marriages, in
which there is no pretence of having love to start with; and if we
remember this, her language can scarcely be considered too strong. The
system is utterly vile, and her hatred of it an honor to her in every
sense. Had she done nothing worse than to protest against this form of
marriage few would condemn her; her condemnation comes rather from the
life she felt it consistent with her theories to live for many years.
Public-domain text, read in full here on John Shaqi.
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