Can we wonder that those who crowded the table where he sat, lingered on
till the daylight drove them from the board? or that no man who had had
him for a boon companion could ever be satisfied with another? Can we
wonder that the students who crowded his lecture-room after he became a
professor thought every other lecturer commonplace and dull? Not that he
gave them more information than others--perhaps he did not give them as
much; but he excited and inspired them. He quickened their minds, and
wakened their dormant faculties. Some of the white heat of his own
enthusiasm he communicated to their colder natures, and they enjoyed the
unusual warmth. Those who listened to those wonderful discourses can
never be persuaded that eloquence did not die with Christopher North.
They were all addressed to the hearts of his listeners, and thrills, and
tears, and laughter that was not loud but deep, accompanied his speech
from the beginning to the very end. Let one who thus listened to him
speak:--
"We have heard him in the assembly-rooms, speaking on the genius of
Scott, a little after the death of the Wizard, and in the tremble
of his deep voice could read his sorrow for the personal loss, as
well as his enthusiasm for the universal genius. We have heard him
in his class-room, in those wild and wailing cadences, which no
description can adequately re-echo, in those long, deep-drawn,
slowly expiring sounds, which now resembled the moanings of a
forsaken cataract, and now seemed to come hoarse and hollow from
the chambers of the thunder, advocating the immortality of the
soul, describing Cæsar weeping at the grave of Alexander,
repeating, with an energy which might have raised the dead, Scott's
lines on the landing of the British in Portugal, and discovering
the secret springs of laughter, beauty, sublimity, and terror, to
audiences whom he melted, electrified, subdued, solemnized,
exploded into mirth, or awed into silence, at his pleasure."
His eloquence gained little from his personal appearance, about which
there was something savage, leonine, massive, but little that was
refined or attractive in the usual sense of that word. Still his face is
described by some as magnificent, and his gray, flashing eyes, as being
remarkably expressive. In his dress he was exceedingly slovenly except
upon state occasions. His professor's gown, as he stalked along the
college-terraces, flew in tattered stripes behind him, his shirts were
usually buttonless, and his hat like a reminiscence of a pre-historic
age. His yellow hair always floated over his shoulders, in confusion
worse confounded, and he wore immense unkempt whiskers hanging upon his
breast. Dickens thus describes him:--
Public-domain text, read in full here on John Shaqi.
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