Here, where I sit alone, is sometimes heard,
From the great world, a whisper of my name,
Joined, haply, to some kind commending word,
By those whose praise is fame.
And then, as if I thought thou still wert nigh,
I turn me, half-forgetting thou art dead,
To read the gentle gladness in thine eye
That once I might have read.
I turn, but see thee not; before my eyes
The image of a hillside mound appears,
Where all of thee that passed not to the skies
Was laid with bitter tears.
And I, whose thoughts go back to happier days
That fled with thee, would gladly now resign
All that the world can give of fame or praise
For one sweet look of thine.
Thus ever, when I read of generous deeds,
Such words as thou didst once delight to hear,
My heart is wrung with anguish as it bleeds
To think thou art not near.
And now that I can talk no more with thee
Of ancient friends and days too fair to last,
A bitterness blends with the memory
Of all that happy past.
That past had, indeed, been happy and most successful from every worldly
point of view. He had published his poems, while still a young man, and
they had made him famous at once. For more than fifty years he was
honored as one of the first of the poets of America, and for a large
part of that time he was held as indisputably the first in rank. His
work received honors and commendation over the sea as well as at home,
almost from the first. It seems very curious to us now to think of his
selling the very finest of his poems for two dollars apiece; yet he did
that, and seemed satisfied with the compensation. In later life, when
two hundred dollars would have been gladly paid him for such poems, he
declined to write, saying that no man should write poetry in old age.
The greater part of his poetry was written before he went to New York
and became editor-in-chief of the "Evening Post." After that time he was
always driven by newspaper work and involved in political controversy,
and rarely wrote verses. In old age he made his translations of the
"Iliad" and the "Odyssey," which were very remarkable works for a man of
his years; but he seldom wrote an original poem, although what he did
write scarcely showed a falling off from the work of his prime.
Public-domain text, read in full here on John Shaqi.
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