I played with the band for five years, and while I never got out of the
"thump section," which was what the trombonists and snare drummers and
the other aristocrats of the band call the altos, I had all the fun and
adventures that a high-priced musician could have had, and was perfectly
happy. I can still remember with pride the deep-green looks on the faces
of Pete Amthorne and Billy Madigan and Snoozer Ackley, as they watched
me marching grandly down the street lugging my precious old three
bushels of brass in my arms, and "ump-umping" until my eyes stuck out of
my head. Of course they didn't know that most of the time I was
watching a change in my notes half a bar away and wondering if I could
make it without falling all over the treble clef. I looked like Sousa to
them, and when I leaned grandly back in my chair at the band concerts
and borrowed a page of music from my neighbor--said page being mostly
Hebrew to me--I felt like a Senator or Chief Justice letting the common
herd have a look at him.
I pity the poor city boys who have to grow up nowadays and depend on
taxicabs and vaudeville for their excitement. Belonging to the band was
more fun than belonging to the baseball team or the torchlight brigade
or anything else. We got in on everything. They couldn't pull off a
rally or celebration, or even a really successful church social, without
us. I might say that the importance of a Homeburg citizen in the old
days was determined by whether or not the Homeburg Band escorted him to
his tomb. When great doings occurred in the neighboring towns, plain
citizens dug down in their pockets for car-fare, and then dug painfully
down once more for our car-fare. When an ordinary Homeburger wanted to
help boost McKinley to victory by parading in some distant town with a
torch, it cost him five dollars and a suit of clothes. But we not only
went free, but got two dollars apiece for plowing a wide furrow of glory
down the streets between rows of admiring eyes.
Those two dollars counted a lot in those days, too. It looked like an
easy income to us. All we had to do to earn it was to beg off from our
employers for half a day, travel thirty miles or so by train, usually
standing up and protecting our horns from the careless mob, march eight
or ten miles over unknown streets, picking out dry places underfoot and
notes from a piece of music bobbing up and down in the shadows above our
horns, and then drive home across country after midnight, getting home
in time to go to work in the morning. Why, it was just like finding
money; I've never had so much fun earning it since. I started once to
figure out how many miles our band marched during the first Bryan
campaign, but I gave it up. We never felt it at that time, but it made
me so tired counting that I quit with a distinct footsore feeling.
Public-domain text, read in full here on John Shaqi.
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