We must not press, however, opinions founded on the apparent technical resemblance of the free style and coloured metal work on the shield of Achilles, to the coloured metal work and free design on the daggers of the Mycenaean shaft graves. It is enough for us to note that the passages concerning burial, from the "kernel" itself, and also from the earliest to the latest expansions, are all perfectly harmonious, and of a single age--unless we are convinced by Helbig's objections. That age must have been brief, indeed, for, before it arrives, the period of _tholos_ graves, as at Vaphio, must expire, on one hand, while the blending of cremation with inhumation, in the Dipylon age, must have been evolved after the cremation age passed, on the other. That brief intervening age, however, was the age of the _ILIAD_ and Odyssey. This conclusion can only be avoided by alleging that late poets, however recent and revolutionary, carefully copied the oldest epic model of burial, while they innovated in almost every other point, so we are told. We can go no further till we find an unrifled cairn burial answering to Homeric descriptions. We have, indeed, in Thessaly, "a large tumulus which contained a silver urn with burned remains." But the accompanying pottery dated it in the second century B.C. [Footnote: Ridgeway, _Early Age Of Greece_, vol. i. p. 491; _Journal of Hellenic Studies, vol. xx_. pp. 20-25.] It is possible enough that all tumuli of the Homeric period have been robbed by grave plunderers in the course of the ages, as the Vikings are said to have robbed the cairns of Sutherlandshire, in which they were not likely to find a rich reward for their labours. A conspicuous howe invites robbery--the heroes of the Saga, like Grettir, occasionally rob a howe--and the fact is unlucky for the Homeric archaeologist. We have now tried to show that, as regards (1) to the absence from Homer of new religious and ritual ideas, or of very old ideas revived in Ionia, (2) as concerns the clear conception of a loose form of feudalism, with an Over-Lord, and (3) in the matter of burial, the _Iliad_ and Odyssey are self-consistent, and bear the impress of a single and peculiar moment of culture.