Homer's Odyssey: A CommentarySnider, Denton Jaques
Philosophy
Homer's Odyssey: A Commentary
Snider, Denton Jaques
Epic poetry, Greek -- History and criticism; Homer. Odyssey; Odysseus, King of Ithaca (Mythological character) -- In literature
The central fact of Fableland is, accordingly, that the man must get
beyond the realm of the senses, and hold communion with pure spirit,
with the prophet Tiresias, and then come back to the real world,
bringing the wisdom gained beyond, ere he can complete the cycle of the
grand Return.
_BOOK NINTH._
Ulysses is now called for by Alcinous, and he is to be the singer. At
first he naturally pays a compliment to his predecessor Demodocus: "A
pleasant thing to hear a bard such as this," with a voice like unto
that of the Gods. Then he gives a delicate touch of commendation to the
whole people "sitting in a row and listening to the singer" who is
chanting the famous deeds of the aforetime. But when Ulysses praises
the tables laden with bread and meat, and the cupbearer filling the
wine-cups of the guests, saying, "This seems to me the best thing,"
strong opposition has been aroused, shown even in antiquity by the
sharp protest of Plato and Lucian. Still this Phaeacian enjoyment is
innocent enough; not ascetic is the trait, yet not sensual; to-day good
people usually eat and drink without the song of bard or other
spiritual entertainment accompanying the material one of gustation.
Now comes the change, Ulysses is to give a song, he is to sing his own
deeds, the story of his trials, "which will wake fresh sorrow in me."
Clearly this will be a different song from the preceding one of
Demodocus; not now an heroic tale of Troy, but an account of the Return
therefrom; a tale in which endurance is the theme rather than action.
The hero is more the sufferer than the doer; he is to meet the hostile
blows of Fate and to master it by his ability to bear as well as by his
ability to act. A new poetic form will gradually rise out of the theme
and in harmony with the same; the present movement runs counter to the
Trojan story both in space and in spirit.
The first act of Ulysses in this novel procedure is to be duly noted:
he declares who he is, gives his father's name and utters a hint of his
own character. Very great surprise must the announcement have created
among those Phaeacians--a veritable sensation, as we say in these times;
for Ulysses had been the real hero of the songs of Demodocus just sung;
behold, that hero himself is present and has been listening all the
while. The dramatic disguise, in which the interest of the hearer has
centered hitherto, is thrown off, the concealed man shows himself.
Public-domain text, read in full here on John Shaqi.
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