This genealogy we have set down in full, as given by the poet, on account of its suggestiveness. These names carry us back to the East, quite to primitive Arya; here is the Sun, the God of the old Vedas; here is Perse, curiously akin to Persia, which was light-worshiping in her ancient religion; then we come to AEaetes, father of Medea, usually held to be of Colchis on the Eastern coast of the Black Sea, whence we busily pass to Hellas in many a legend, and from Hellas we now have traveled far westward into Fairyland. One ancient story, probably the first, placed Circe in the remote East; another, this of Homer for example, sends her to the far West; a third united the two and told of the Flight of Circe upon the chariot of the Sun from Orient to Occident, which is doubtless a much later form of the tale, though ascribed to Hesiod. Circe is of a higher ancestry than Polyphemus, though both go back in origin to the sea with their island homes; she, however, is a child of the light-giving body, and will show her descent in the end. Her name is related to the circle, and hints the circling luminary, on whose car she is said to have fled once. Here in Homer, however, we may note an inner circle of development; she passes through a round of experience, and seems to complete a period of evolution. She must be grasped as a movement, as a cycle of character, if you please; she develops within, and this is the main fact of her portrayal. The preceding etymological intimations are dim enough, yet they point back to Asia, and to an old Aryan relationship. Not too much stress is to be put upon them, yet they are entitled to their due recognition, and are not to be thrown aside as absolutely meaningless. By Homer, himself, they could not have been understood, being traces of a migration and ethnical kinship which had been in his time long forgotten, and which modern scholarship has resurrected through the comparative study of language. More important is the connection between Circe and the two preceding portions of this Book, AEolia and the Laestrigonians. We have just seen how both Family and State cast Ulysses off, must cast him off, since he is without moral subordination. The inner self-control demanded by an institutional life he has not been able to reach, after the alienation produced by the Trojan War; the bag of winds given into his hand by AEolus he could not keep tied. Why? Behold Circe rise up and take on shape after his twofold experience. Really she is evolved out of Ulysses in a certain sense; he sees her just now and not before, because he has created her. Why is he thus repelled by Family and State? Circe is the answer; she is the enchantress who stands for sensuous pleasure in its most alluring form; with her is now the battle.