The disguise of Ulysses is continued, and also the craft of Penelope. The moral questioning which these two characters have always roused does not diminish. The hardest practical problem of life comes to the front in their case. Both are willing to meet unjust violence with dissimulation, till they get the power to act openly. They put down a dishonest world with dishonesty, and then proceed to live honestly. It is another phase of that subtle play of the Negative, with which Ulysses had to grapple repeatedly in Fableland, and of which the Odyssey is full. Every situation seems to have its intricate ethical problem, which the reader has to solve as he solves such questions in actual life. Our opinion upon this element in the poem we have already given, and need not repeat it here. We must note that Ulysses still keeps up his romancing in order to explain his presence in Ithaca and his beggarly appearance. He introduces a kind of story, which we have called the Novelette in distinction from the Fairy Tale. The scene is usually thrown back eastward to Crete, the Trojan War furnishes the background, the famous Cretan hero Idomeneus is usually in some way connected with the stranger who is speaking. No less than five such Novelettes are found in the last twelve Books--some long, some brief. He tells one to Pallas (XIII. 256), to Eumaeus the longest one (XIV. 199), to Antinous a short interrupted one (XVII. 425), to Penelope (XIX. 172), finally one to his father Laertes (XXIV. 304), in which the scene seems to be changed to the West from the mention of Sicania. For the reader who may wish to follow out in detail these eight Books, we append a general survey of each, in which the thought and the structure are suggested, yet by no means elaborated. We have in the preceding pages given quite fully what we deem the main points of the Odyssey; there remains only this winding-up of the work in a rapid summary. _Book Seventeenth._ We now pass from the country and the hut of the swineherd to the town and the palace of the king. This is an important transition, and evidently marks a turning-point in the last twelve Books of the Odyssey. The change of location brings us to the scene of the forthcoming deed, and into the presence of the two conflicting sides. The structure of the Book moves about two centers, Telemachus and Ulysses. I. Telemachus is first to start for the city, where he arrives, and is received with great joy by the household. The mother asks him whether he has obtained any tidings from his father. But he shuns her question, bids her make fresh vows to the Gods, and goes off to look after his guest, the prophet Theoclymenus. The Suitors throng about him, but do him no harm; a number of his friends are near at hand, and the Suitors are divided among themselves.