Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
From that time to the present, the effect has been, to a certain degree,
the same, in a certain class; the songs of The Beggar's Opera have begun
again to be sung, and a manifest tendency has been produced to exalt
into this admiration of the multitude, highwaymen and women of the
town. Neither can it be denied that it has given birth anew, in the
shape of novels, to Newgate literature. The oddity of it was, that in
opposition to the storm of reprehension which followed it from the
press, Swift defended it for the excellence of its morality, and because
"it placed all kinds of vice in the strongest and most odious light."
This was sufficiently contradicted by the public admiration of its
heroes, heroines, its songs, and its very slang. Yet we find Gay
representing himself, in a letter to Swift, as a martyr to morality.
"For writing in the cause of virtue, and against the fashionable vices,
I am looked upon at present as the most obnoxious person almost in
England." If Gay's self-love could so far blind and persuade him, there
can be no reader of his collected poems at the present day who can agree
with him. There is a far too considerable quantity of his writings which
are utterly vile and filthy, and fit only to be bound up with Rochester,
or, rather, not to be bound up at all; and it may be questioned whether
the prudent lessons of his fables, and the better sentiments scattered
through his other poetry, could by any means even neutralize the effect
of his pages of defilement, were not the better more commonly read, and
the worse left to oblivion by the purer spirit of the age.
The origin of his Shepherd's Week, which, though coarse, has much nature
in it, is also curious. Steele, in some papers in the Guardian, had
praised Ambrose Philips as the Pastoral writer who was second only to
Theocritus, Virgil, and Spenser. Pope, who had also published pastorals,
not pleased to be overlooked, drew up a comparison of his own
compositions with those of Philips's, in which he civilly gave himself
the preference, while he seemed to disown it. So enraged was Philips,
that he brought a sturdy cudgel to Button's coffee-house, and put it
over the mantel-piece, saying, "That was for Pope when he could catch
him there." Pope, on his part again, is supposed to have incited Gay to
write the Shepherd's Week, to show that, if it be necessary to copy
nature with minuteness, rural life must be exhibited such as grossness
and ignorance have made it. But intended only to burlesque Philips,
these pastorals became popular, and were eagerly read for their truth to
country life by those who took no interest in the literary squabble.
If we add to the places already mentioned the house of Dr. Arbuthnot, at
Hampstead, where Gay used occasionally to domicile himself, we have a
sufficient index to his homes and haunts.
ALEXANDER POPE.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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