Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
"Born to no pride, inheriting no strife,
Nor marrying discord in a noble wife;
Stranger to civil and religious rage,
The good man walked innoxious through his age;
No courts he saw, no suits would ever try,
Nor dared an oath, or hazarded a lie.
Unlearned, he knew no schoolman's subtle art,
No language but the language of the heart;
By nature honest, by experience wise,
Healthy by temperance and by exercise;
His life, though long, to sickness passed unknown,
His death was instant, and without a groan."
From these parents, however, Pope inherited a feeble and crooked frame.
This circumstance, added to his being the only child of his father, led
to his domestic education and habits. When eight years old he was placed
under the tuition of the family priest. From him he passed to the
schools mentioned, and at the early age of twelve returned home. This,
he says, was all the instruction he received. He continued, however, to
educate himself; and as Milton had done in Buckinghamshire, so he at
Binfield in the shades of Windsor Forest, pursued steadily his studies,
both of books and nature. One of his earliest favorite books was Homer;
and at Twyford school he wrote a satire on the master, for which he was
severely castigated. Both these facts indicated his future character and
pursuits. At Binfield he not only went on strenuously with the study of
Latin, Greek, and French, but he commenced author. At twelve he wrote
his Ode to Solitude; a subject with which his situation made him well
acquainted. Pope was one of the very rare instances of a genius which
was at once prococious and enduring. But the secret of this was, that he
did not exhaust his young powers out of mere puerile vanity, but went on
reading all the best authors, English, French, Italian, Greek, and
Latin, and wrote rather to imitate and practice different styles. To his
sedulous practice of all kinds of styles, as those of Spenser, Waller,
Cowley, Rochester, Dorset, but especially Chaucer and Dryden, may be
attributed that great mastery of language, and that exquisite harmony of
versification, in which he has never yet been excelled.
Public-domain text, read in full here on John Shaqi.
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