Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
"You must excuse me if I say nothing of the front; indeed, I do not know
which it is. A stranger would be grievously disappointed who should
think to get into this house the right way. One would reasonably expect,
after the entry through the porch, to be let into the hall; but alas!
nothing less! you find yourself in a brew-house. From the parlor you
think to step into the drawing-room, but, upon opening the iron-nailed
door, you are convinced, by a flight of birds about your ears, and a
cloud of dust in your eyes, that it is the pigeon-house. On each side of
our porch are two chimneys, that wear their greens on the outside, which
would do as well within; for whenever we make a fire, we let the smoke
out of the windows. Over the parlor window hangs a sloping balcony,
which time has turned to a very convenient pent-house. The top is
crowned with a very venerable tower, so like that of the church just by,
that the jackdaws build in it as if it were the true steeple.
"The great hall is high and spacious, flanked on one side with a very
long table, a true image of ancient hospitality. The walls are all over
ornamented with monstrous horns of animals, about twenty broken pikes,
ten or a dozen blunderbusses, and a rusty matchlock musket or two, which
we were informed had served in the civil wars. There is one vast arched
window, beautifully darkened with divers scutcheons of painted glass.
There seems to be a great propriety in this old manner of blazoning upon
glass, ancient families, like ancient windows, in the course of
generations being seldom free from cracks. One shining pane, in
particular, bears date 1286, which alone preserves the memory of a
knight whose iron armor has long since perished with rust, and whose
alabaster nose has moldered from his monument. The youthful face of Dame
Elinor, in another piece, owes more to that single pane than to all the
glasses she ever consulted in her life. Who can say, after this, that
glass is frail, when it is not half so perishable as human beauty or
glory? And yet I can not but sigh to think that the most authentic
record of so ancient a family should be at the mercy of every boy who
flings a stone! In this hall, in former days, have dined gartered
knights and courtly dames, with ushers, sewers, and seneschals, and yet
it was but the other night that an owl flew in hither, and mistook it
for a barn.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account