Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
The Earl of Buchan, who erected a temple of the Muses at Dryburgh, in
the center of which he placed Thomson, and who placed the brass tablet
to his memory in the church at Richmond, also instituted an annual
commemoration of his fame at Ednam, which has long fallen into
desuetude. For the first meeting of this kind, Burns wrote his Address
to the Shade of Thomson in crowning his bust at Ednam.
Of Thomson's sojourn at Southdean, nearly all that is now known is
comprehended in the following passage in Mr. Robert Chambers's "Picture
of Scotland:" "The father of James Thomson was removed from Ednam to
this parish while the poet was a child; and here, accordingly, the
author of the Seasons spent the days of his boyhood. In the churchyard
may still be seen the humble monument of the father of the poet, though
the inscription is nearly obliterated. The manse in which that
individual reared his large family, of whom one was destined to become
so illustrious, was what would now be described as a small thatched
cottage. It is traditionally recollected that the poet was sent to the
University of Edinburgh, seated behind his father's man on horseback,
but was so reluctant to quit the country for a town life, that he had
returned on foot before his conductor, declaring that he could study as
well on the braes of Sou'den--so Southdean is generally pronounced--as
in Edinburgh."
Here Thomson undoubtedly acquired that deep love for nature, and that
intimate acquaintance with it, which enabled him to produce the poem of
the Seasons, which, with considerable faults of style, is one of the
richest compositions in the language, in the legitimate subject matter,
in the grandeur of its scenery, drawn from all regions of the earth, and
in the broad and beautiful spirit of its religious philosophy. It has
stood the test of more than a century, during which time great changes
have taken place in the theory of versification and in public taste.
Compositions of great variety, and of the most splendid character, have
since rendered fastidious the public judgment, yet the Seasons are and
will continue to be read with pleasure.
Public-domain text, read in full here on John Shaqi.
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