Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
The garden of Thompson, which lay behind the house, has been preserved
in the same manner and to the same extent as his house; the garden and
its trees remain, but these now form only part of the present grounds,
as the cottage forms only part of the present house. Mr. Ross, when he
purchased the cottage and some adjoining grounds, and came to live here
after Thomson, not only enlarged the house, but threw down the partition
fence, and enlarged the grounds to their present extent. A pleasanter
lawn and shrubberies are rarely to be seen; the turf, old and mossy,
speaks of long duration and great care; the trees, dispersed beautifully
upon it, are of the finest growth and of the greatest beauty. In no part
of England are there so many foreign trees as in the grounds of
gentlemen's villas near London; in many of them the cedars of Lebanon
are of a growth and majesty which probably Lebanon itself can not now
show. In these grounds there are some fine ones, but there is one of
especial and surpassing loveliness: it is the _pinus picea_, or silver
cedar. The growth is broad, like that of the cedar of Lebanon; but its
boughs do not throw themselves out in that exact horizontal direction
that those of the cedar of Lebanon do; they sweep down to the ground in
a style of exquisite grace. Heavy, full of life, rich in hue as masses
of chased silver, their effect, with their young cones sitting birdlike
on them, is like that of some tree of heaven, or of some garden of
poetic romance. Besides this superb tree, standing on its ample portion
of lawn, there are here the evergreen ilex, hickory, white sassafras,
scarlet and Ragland oaks, the tulip-tree, the catalpa, the tupelo, the
black American ash, &c. The effect of their fine growth, their varied
hues and foliage, their fine, sweeping branches, over the soft velvet
turf, is charming, for trees display the effects of breeding and culture
quite as much as horses, dogs, or men.
A large elm, not far from the house, is pointed out as the one under
which Thomson's alcove stood; this alcove has, however, been removed to
the extremity of the grounds, and stands now under a large Spanish
chestnut-tree in the shrubbery. It is a simple wooden construction, with
a plain back, and two outward, sloping sides, a bench running round it
within, a roof and boarded floor, so as to be readily removable
altogether. It is kept well painted of a dark green, and in it stands an
old, small walnut table with a drawer, which belonged to Thomson. On the
front of the alcove overhead is painted, on a white oval tablet,
"Here
Thomson sang
The Seasons
and their change."
Within the alcove hang three loose boards, on which are painted the
following inscriptions:
Public-domain text, read in full here on John Shaqi.
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