Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
But the true secret was one far beyond the conception of his simple
relatives. Coining and forging, indeed, he was bent upon, and meant to
join himself, some day or other, to a company which, in their eyes,
would have appeared stranger than a troop of gipsies. He was already,
child as he was, forging the name and deeds of Thomas Rowley, and
fathering upon him the glorious coinage of his own brain. A great and
immortal guest was theirs, and they did not know it. One of themselves
was marked by the passing angel of destiny as the one of all his
generation doomed to the fearful sacrifice of a sad but eternal fame.
The spirit which had stolen upon him and taken possession of him as he
had roamed the dim aisles of the old church, and gazed on the great
sacred scene of the Ascension of Christ, and on the light avenues of
lofty columns, and sat by the tomb of Master Canynge, was now busy with
him. It was this which had made him gloomy and retiring, which had
caused him to burst into passions of tears, for which no reason could be
assigned. A new world had dawned before his inner vision; the
sensibilities of the poet were now quivering in every nerve; mysterious
shapes moved around him, which one day he must report of to the
world--shapes, the offspring of that old church, and its tombs and
monuments, and traceries and emblazonments, mingled with the spirit of
his solitary readings in history, divinity, and antiquities; and that
melancholy foreboding, that _Ahnung_ of the future, as the Germans term
it, which, like a present angel of prophecy, unseen, but felt, hangs on
the heart of youthful genius with an overpowering sadness, was spread
over him like a heavenly cloud, which made the physical face of life
dreary and insipid to him.
Public-domain text, read in full here on John Shaqi.
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