Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
That was a dark time in which Chatterton had the misfortune to appear.
Spite of the mighty intellects, the wit or learning of such men as
Johnson, Gray, Goldsmith, Thomas and Joseph Warton, Burke, and Walpole,
poetry, and the spirit of poetry, were, as a general fact, at a low ebb.
It was the midnight succeeding the long declining day of the imitators
of Pope. The great crowd of versifiers had wandered away from Nature and
her eternal fountain of inspiration, and the long array of Sprats,
Blackmores, Yaldens, Garths, and the like, had wearied the ear and the
heart to death with their polished commonplaces. The sweet muse of
Goldsmith was almost the only genuine beam of radiant light, before the
great dawn of a more glorious day which was about to break; and
Goldsmith himself was hasting to his end. Beattie was but just
appearing, publishing the first part of his Minstrel the very year that
Chatterton perished by his own hand. The great novelists, Richardson,
Fielding, and Sterne, had disappeared from the scene, and their fitting
cotemporary, Smollett, was abroad on his travels, where he died the year
after Chatterton's suicide. Akenside died the same year; Falconer was
drowned at sea the year before; Sheridan's literary sun appeared only
above the horizon five years later, with the publication of his Rivals.
Who, then, were in the ascendant, and therefore the influential arbiters
of public opinion; they who must put forth the saving hand, if ever put
forth, and give the cheering "all hail," if it were given? They were
Gray, who, however, himself died the following year, Armstrong, Anstey,
of the Bath Guide, Mason, Lord Littleton, Gibbon, the Scotch historians
and philosophers, Hume, Robertson, Adam Smith, and the like. There were,
too, such men about the stage as Foote, Macklin, Coleman, and
Cumberland; and there were the lady writers, or patrons of literature,
Mrs. Carter, Mrs. Macauley, Mrs. Montagu. Macpherson was smarting under
the flagellations received on account of his Ossian, and that was about
all. Spite of great names, is that a literary tribunal from which much
good was to be hoped? No, we repeat it, it was, so far as poetry,
genuine poetry, was concerned, a dark and wintery time. The Wartons were
of a more hopeful character, and Mrs. Montagu, the founder of the
Blue-Stocking Club, had then recently published her Essay on the Genius
and Writings of Shakspeare. She, a patron and an advocate of Shakspeare,
might, one would have thought, have started from the herd, and done
herself immortal honor by asserting the true rank of the new genius, and
saving him from a fearful death. But it is one thing to assert the fame
of a Shakspeare, established on the throne of the world's homage, and
another to _discover_, much more to hymn the advent of a new genius. The
literary world, warned by the scarifying castigation which Macpherson
had undergone for introducing Ossian, as if, instead of giving the world
Public-domain text, read in full here on John Shaqi.
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