Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
Behind the ruins of the house there are still the orchard and wild
remains of a garden, inclosed with a high, old stone wall. One could
imagine this retreat a play-place for the embryo poet, whose charm would
long linger in his memory; and, in truth, when the house was complete,
with its avenue of ashes, along which you looked to the highway, and
thence across a valley to the church of Kilkenny West, on a hill about a
mile distant, the abode of Goldsmith's boyhood must have been a very
pleasant one. It is now seen as stripped of all its former attractions,
its life, its completeness as a house, its trees; and stands a white,
bare, and solitary ruin.
Many people think, that as Goldsmith's father was the clergyman, this
was the parsonage. It was not so. The parsonage was at Kilkenny West,
where the present rector resides. This house was attached to the farm
which the pastor had here, and was probably a much better and more
commodious dwelling than the parsonage.
Returning to the village--if three or four poor cottages by the
roadside can deserve that name--the public house is the object which
attracts your attention. This is said to be the very house of which
Goldsmith speaks in The Deserted Village. Goldsmith, however, tells you
himself, in The Deserted Village, that the public house, among others,
was destroyed:
"Low lies that house where nut-brown draughts inspired,
Where graybeard mirth and smiling toil retired," &c.
In fact, it was rebuilt by Mr. Hogan, a gentleman living near, who,
being an ardent admirer of Goldsmith's poetry, did all that he could to
restore to Lissoy the characteristics of Auburn. He rebuilt the public
house on the spot where tradition placed the old one, with the
traditionary thorn in front. He gave it the sign of "The Jolly Pigeons,"
he supplied it with new copies of "The Twelve Good Rules," and "The
Royal Game of Goose;" he went even to the length of the ludicrous in his
zeal for an accurate _fac-simile_ of the genuine house, and
"Broken tea-cups, wisely kept for show,
Ranged o'er the chimney, glistened in a row."
Public-domain text, read in full here on John Shaqi.
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