Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
What are the reasons assigned by the biographer for doubting the story?
His own belief, that "the wanton destruction of a thriving and pretty
village, in a country where such are carefully encouraged by all
proprietors of lands, is wholly improbable." He farther fancies that
Goldsmith's morbid imagination "had converted a few mud cabins into a
beautiful village, and, perhaps, their turbulent and vindictive
occupants into injured, and innocent, and expatriated peasants." Lastly,
and most unfortunately of all, he adds, "Proprietary rights can not
always be exercised by landlords in Ireland, even in a reasonable
manner, without extreme jealousy on the part of the people.
Circumstances, therefore, which daily occur in England, and produce
neither concern nor notice, excite in the former loud complaint, if not
open hostility. Any thing resembling severity becomes speedily known and
loudly censured; and such impressions, however untrue, taken up and
acted upon by the imagination and eloquence of a poet, are dangerous
assailants of reputation."
The revolting case of the expulsion of the tenants from the estate of
the Gerrards, at Ballinasloe, in Ireland, occurring at the moment at
which I write this, in which 270 poor people are turned out to the
elements, their houses pulled to the ground, themselves chased from the
roadside ditches, where they had sought a night's shelter from the
piercing wind, and the fires which they had made to warm themselves
extinguished--all this is a fearful answer to such writings, and too
awful proof of the correctness of the poet's statements. So far from
Irish landlords not destroying villages, so far from "any thing like
severity" being speedily known and resisted, the inquiries caused by
this one flagrant case have shown to the horrified public, that in no
country in the world are the rights of the peasantry so totally
disregarded; in no country has the outrage of The Deserted Village been
so often enacted. The scene which Goldsmith so pathetically describes,
of the poor villagers whose homes had been destroyed, whose native
haunts had been made to cast them forth, going on toward the shore
seeking for an asylum beyond the ocean, was not a solitary scene. It has
been reacted again and again. It has been repeated from that hour to
this; and every year and almost every day sees sad thousands bidding
adieu to their birth-places, and crowding on board the ships that carry
them to a more hospitable country:
"Even now, methinks, as pondering here I stand,
I see the rural virtues leave the land.
Down where yon anchoring vessel spreads the sail,
That, idly waiting, flaps with every gale,
Downward they move, a melancholy band,
Pass from the shore, and darken all the strand.
Contented toil, and hospitable care,
And kind, connubial tenderness are there;
And piety, with wishes placed above,
And steady loyalty, and faithful love."
Public-domain text, read in full here on John Shaqi.
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