Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
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Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
The woody scenery of Harefield, and the personal accomplishments of the
countess, are not unfavorable to this supposition; which, if admitted,
tends to confirm the opinion that L'Allegro and Il Penseroso were
composed at Horton. The Masque of Comus, and Lycidas, were certainly
produced under the roof of his father."
The whole of these poems breathe the spirit of youth, and of scenes like
those in which he now dayly rambled. Whether L'Allegro and Il Penseroso
were written, as Sir William Jones contends, at Forest Hill, in
Oxfordshire, or here, need not be much contested. If they were written
there, it must have been many years afterward, after his return from
abroad, and after his first marriage; for it was at Forest Hill that he
found his wife. But for the reason assigned, and for that of their
general spirit, I incline to the belief that they were written at
Horton, as there is plenty of evidence that Comus and the Arcades were.
These latter poems overflow with the imagery and the feeling of the old
wooded scenery of Buckinghamshire.
"_Comus._ I know each lane, and every alley green,
Dingle, or bushy dell of this wild wood,
And every bosky bourne from side to side,
My dayly walks and ancient neighborhood."
How full of the old pastoral country are these lines:
"_Sec. Bro._ Might we but hear
The folded flocks penned in their wattled cotes,
Or sound of pastoral reed with oaten stops,
Or whistle from the lodge, or village cock
Count the night watches to his feathery dames,
'Twould be some solace yet, some little cheering,
In this close dungeon of innumerous boughs."
There is no other poet who has been able to transfuse the very spirit of
nature into words, as it is done in the following passages, except
Shakspeare, on whose soul images of rural beauty and repose fell with
equal felicity of effect.
"This evening late, by then the chewing flocks
Had ta'en their supper on the savory herb
Of knot-grass dew-besprent, and were in fold,
I sat me down to watch upon a bank
With ivy canopied, and interwove
With flaunting honey-suckle, and began,
Wrapped in a pleasing fit of melancholy,
To meditate my rural minstrelsy,
Till Fancy had her fill; but ere a close,
The wonted roar was up amid the woods," &c.
How exquisite is every image of this passage:
Public-domain text, read in full here on John Shaqi.
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