Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)Howitt, William
History
Homes and Haunts of the Most Eminent British Poets, Vol. 1 (of 2)
Howitt, William
Literary landmarks -- Great Britain; Poets, English -- Homes and haunts
Here Milton wrote his Second Defense of the People against the attack
made in a book called _Regii Sanguinis clamor ad Coelum adversus
parricidas Anglicanos_; written by one Peter du Moulin, afterward
Prebendary of Canterbury; with other things in the same controversy. As
he was now blind, he had the excellent Andrew Marvel associated with him
as assistant secretary. His industry continued at writing, as if he had
full use of his eyes. He published now his Civil Power in Ecclesiastical
Cases, and The Means of Removing Hirelings out of the Church; collected
the Original Letters and Papers addressed to Oliver Cromwell concerning
the affairs of Great Britain, from 1649 to 1658, with other things.
This memorable dwelling is yet standing. It no longer opens into St.
James's Park. The ancient front is now its back, and overlooks the fine
old, but house-surrounded garden of Jeremy Bentham. Near the top of this
ancient front is a stone, bearing this inscription: "SACRED TO MILTON,
THE PRINCE OF POETS." This was placed there by no less distinguished a
man than William Hazlitt, who rented the house some years, purely
because it was Milton's. Bentham, when he was conducting people round
his garden, which is now in the occupation of Mr. Gibs, the engineer,
used to make them sometimes go down on their knees to this house. The
house is tall and narrow, and has nothing striking about it. No doubt,
when it opened into St. James's Park, it was pleasant; now it fronts
into York-street, which runs in a direct line from the west end of
Westminster Abbey. It is number 19, and is occupied by a cutler. The
back, its former front, is closed in by a wall, leaving but a very
narrow court; but above this wall, as already said, looks into the
pleasant garden of the late venerable philosopher.
Public-domain text, read in full here on John Shaqi.
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